Falsetto With Sour Cherries
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Abstract
In this master thesis, the candidate presents her collection of original poems, accompanied by a critical introduction, which explains her writing and revision process. In the critical introduction, careful attention is given to three poems in particular, the purpose of which is to look at those particular poems as the most exemplary of the candidate’s revision process. The candidate asserts, through her critical introduction, and in the poems themselves, how much her poetry has developed during her graduate work at the University of Missouri – Kansas City.
Table of Contents
Critical introduction -- Sparkler -- The Houseguests Descend -- Opening Night at the Opera -- I’m Nobody’s Bridesmaid -- St. John The Baptist -- Hank’s Last Letter to Audrey -- Gaucho -- As Old as Driftwood and Saltwater -- Butterscotch -- Stunner -- Stuck on Repeat in a Divebar Jukebox -- Live: From Inside the Confetti Factory -- The Colorwheel City -- The affair dies like a fish -- What We Won’t Talk About -- Falsetto with Sour Cherries -- He Grabs Desire by the Throat -- Cogito at a Pop Concert -- On Cogito’s Two Legs -- Paper Apples (1952) -- Sequoia -- We Keep Singing About The West -- Railroad Station -- Homeland -- Sister -- How She Decorated -- Odette -- Amelia Earhart, Mermaid Queen -- Shoeboxes -- Honky-Tonk Angels -- The Mississippi Speaks -- Saltine -- Mother -- Aurelia Aurita -- Wavesongs to a Young Boat -- The Flint Hills, Burning -- Navigator -- In Spanish, Your Name Means Red -- Loaves and Fishes -- Open as the Eyes in Your Head -- Hometown -- Cogito’s late-autumn verse for a ladies’ journal -- Fox in the Snow -- New Year’s Eve -- Help Me to be a More Careful Curator -- Pickled
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M.F.A.