Navigating dual genres : a case study on vocal techniques and health in classical and gospel singing
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This qualitative, instrumental single-case study investigated the vocal techniques, strategies, and health practices employed by a professional vocalist navigating performances across two vocally demanding and stylistically distinct genres: Western European classical and gospel music. Utilizing a thematic analysis of comprehensive data collected through semi-structured interviews, video-recorded and live observations, daily hydration and voice use logs, and analysis of artifacts, this research illuminates how the bimusical vocalist effectively manages genre-specific technical demands and maintains vocal health. Findings reveal that for this artist, effective crossover singing required deliberate adjustments in breathing patterns, laryngeal positioning, vocal resonance placement, dynamics, and articulation. Distinctive technical approaches emerged, notably diaphragmatic breathing for classical singing to facilitate controlled phrasing and full resonance, contrasted by higher, clavicular breathing in gospel singing, supporting its expressive and dynamic requirements. Based on the participant's beliefs and experiences, the findings highlight the critical role of proactive vocal health strategies, including hydration, vocal rest, warmups, and cool-downs, as essential for preventing vocal strain and sustaining vocal performance longevity. The integration of intentional practice strategies, emotional and mental preparedness, and pedagogical insights also contributed to the successful management of vocal challenges inherent in this musician's dual-genre performance career. This research addresses a gap in the literature concerning practical techniques for vocal adaptability, offering valuable insights for performers, educators, and voice researchers dedicated to understanding and enhancing vocal versatility and health across diverse musical traditions.
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