The public voice of Richard Crashaw : a study in the use of religious tradition
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"It is something of an understatement to say that of all the poets of the seventeenth century, Crashaw has been most subjected to the slings and arrows of outrageous fortune. He has suffered the fate of being labeled the Catholic and Baroque poet of a nation which moved markedly from both positions, and over the years cliches have grown up around his name and work which have never been adequately dispelled. He has been called perverse, private, foreign, formless, and mystical; and one need only glance through the major comments on the poet to see the crystallization and evolution of such judgments."--Page 1.
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