Now showing items 41-57 of 57

  • She 

    Smucker, Jake (University of Missouri--Columbia, 2018)
    [ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] A choral piece.
  • Shostakovich in the United States of America : timelines, commentaries, and photographs for his three visits 

    Fiasco, Emily (University of Missouri--Columbia, 2015)
    [ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] During the Cold War Dmitri Shostakovich (1906-1975), the emblematic Soviet composer of the twentieth century, made three visits to his country's avowed ...
  • Sifting through ashes 

    Strausbaugh, Michael (University of Missouri--Columbia, 2013)
    A varied and elaborated form of a simple theme serves as basis for the refrain material in a seven-part rondo. Via additive process, the initial motive is revealed, recognizable yet harmonically distant. While purely melodic ...
  • Songs from the golden gate 

    Strobel, Robert, 1988- (University of Missouri--Columbia, 2014)
    [ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This musical score, presented as a thesis, uses selections from the book of poetry, Songs From the Golden Gate, by Ina Coolbrith, for a 4-movement, ...
  • The Spes salutis masses of 's-Hertogenbosch MS 75 and Clemens non Papa : a comparative study 

    Morrison, Lance D. (University of Missouri--Columbia, 2018)
    [ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] The life and work of famed sixteenth-century Franco-Flemish composer Jacobus Clemens non Papa (ca. 1510-ca. 1555) remain confounding to date or to ...
  • Stravinsky's English text setting in works of 1951-1953 

    Brusova, Yulia. (University of Missouri--Columbia, 2016)
    [ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] As a Russian-born composer who later held citizenship in France and the United States, Igor Stravinsky (1882-1971) achieved a remarkable command of ...
  • A study of Monteverdi's three genera from the preface to Book VIII of Madrigals in relation to operatic characters in Il Ritorno d'Ulisse in patria and L'incoronazione di Poppea 

    Coelho, Julia (University of Missouri--Columbia, 2018)
    The construction of character on the early operatic stage by means of musical gestures is an indisputable achievement of Claudio Monteverdi (1567-1643). Such an accomplishment was the result of a continuing development of ...
  • Successful urban elementary music educators : a phenomenological investigation 

    Wilson, G. Preston (University of Missouri--Columbia, 2021)
    The purpose of this study was to explore the characteristics and experiences of teachers who have been successful in urban elementary music classrooms. I aimed to garner an authentic picture and capture the essence of what ...
  • Sun will rise in black 

    Stewart, Henry Breneman (University of Missouri--Columbia, 2018)
    [ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] SUN WILL RISE IN BLACK is a single-movement, 16-minute piano concerto written for Natalia Bolshakova and the Columbia Civic Orchestra. The instrumentation ...
  • Symphonic requiem 

    Cypret, Kaylene (University of Missouri--Columbia, 2018)
    [ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] The goals of my study are to research the plainsong mass for the dead, to learn from scores of instrumental requiems, and to compose an instrumental ...
  • The three Americas 

    Mascarenhas, João Marcos Gomes (University of Missouri--Columbia, 2006)
    This instrumental piece is the result of my attempt to mix principles of modern fine art composition techniques with melodies, rhythms, and harmonies, originated from the popular music of the three Americas. From South ...
  • Three songs for unaccompanied choir 

    Woodward, Mark E., 1982- (University of Missouri--Columbia, 2009)
    Using Maurice Ravel's Trois Chansons as a point of departure, this composition explores the possibilities of motivic, harmonic, and rhythmic development from a shared opening phrase. As a result of this free exploration, ...
  • 'To chant my last refrain:' a contextualization of H. Lawrence Freeman's biography and his operas 'The Martyr' and 'Voodoo' 

    Worley, Benjamin M. (University of Missouri--Columbia, 2020)
    [ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] The grand operas by Harlem Renaissance composer H. Lawrence Freeman (1869-1954)--large productions in the theater and broadcast on the radio--represent ...
  • Transcending the technical : an examination of spirituality in choral music making for selected public 

    Cox, Jordan Lee (University of Missouri--Columbia, 2019)
    The purpose of this phenomenology was to contribute to the examination of the role of spirituality in choral music making for public school choral conductors in the United States. Since the year 2000, the topic of spirituality ...
  • Uneven portraits 

    Martinez Rubiano, Jose Guillermo (University of Missouri--Columbia, 2016)
    Any portrait is always a personal representation of reality. These five pieces for saxophone quartet are a sonic personal reinterpretation of different influences, impressions, and reflections in my musical atmosphere. ...
  • When theories of psychology and composition intersect : a case study of Schoenberg, Dutilleux, and Lansky 

    Roberts, Elisabeth C. (University of Missouri--Columbia, 2020)
    Although music had been understood for centuries to affect and even express certain psychological states, the method of observation and study essential to the evolving field of psychology and neuroscience in the twentieth ...
  • Youtube as an early childhood music education resource parental attitudes, beliefs, usages, and experiences 

    Ko, Michelle Y. (University of Missouri--Columbia, 2018)
    This descriptive study was designed with two main purposes: (a) to provide researchers and educators with baseline information about current YouTube music usages and practices and (b) to examine parental attitudes and ...