Browsing by Thesis Advisor "Granade, S. Andrew"
Now showing items 1-13 of 13
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Charles Mingus Played Bass?: Rediscovering a Jazz Soloist Through Transcription
(2014-09-30)Bassist and composer Charles Mingus (1922-1979) was one of jazz music's most influential and prolific artists. Both his instrumental and compositional abilities were highly regarded during his life, and remain so today. ... -
Influence, Innovation, and Structure: Modernist Evaluative Criteria in the Reception Histories of Charles Ives and Jean Sibelius
(2016)In 1987, Maynard Solomon published an article titled “Charles Ives: Some Questions of Veracity,” which challenged the priority and probity of Charles Ives’s technical innovations and ignited a scholarly firestorm. ... -
The Interaction of Linear and Vertical Time in Minimalist and Postminimalist Piano Music
(University of Missouri--Kansas City, 2011-01-20)Minimalist compositions thwart most attempts at analysis given their remarkable simplicity. Moreover, minimalist works are deliberately non-manipulative in order to allow the listener freedom in constructing his or her ... -
"Mood-Stuff" and "Metaphoric Utterance": Norman Corwin's radio art
(2013)Norman Corwin (1910-2011) is widely acclaimed as the best radio writer in early American radio art (from the early 1920s to 1950). Ample research has been done on him as a radio dramatist, patriotic propagandist, and ... -
Narong Prangcharoen and Thai cross-cultural fusion in contemporary composition
(2014-07-30)Narong Prangcharoen (b.1973) has become one of the leading Asian classical composers since he won a number of international awards and received numerous commissions from major orchestras and individual distinguished ... -
A Night at the Opera: Performance, Theatricality, and Identity in the Music of Queen
(University of Missouri -- Kansas City, 2019)Many discussions of the rock band Queen (vocalist Freddie Mercury, guitarist Brian May, drummer Roger Taylor, and bassist John Deacon) reference their theatricality, yet few analyze what makes Queen’s music and ... -
"Oh, When the Wiz": An Ethnography of Communal Music-Making in Kansas City Soccer Culture
(2021)If you have spent any amount of time in the United States, you have certainly encountered the frenzied culture around professionalized sports. Attending a game, you have likely engaged in some participatory music-making ... -
The Otaku Lifestyle: Examining Soundtracks in the Anime Canon
(University of Missouri -- Kansas City, 2019)Japanese animation, or anime, has been popular around the globe for the last sixty years. Anime has its own fan culture in the United States known as otaku, or the obsessive lifestyle surrounding manga and anime, which ... -
Press Start: Narrative Integration in 16-bit Video Game Music
(2015)Ever since Pong graced the screens of video arcades, one of the most influential interactions between technology and sound has been the video game console. Over the past decade, scholars have begun to recognize this ... -
Temporal and harmonic concerns in the music of Robert Carl
(University of Missouri--Kansas City, 2018)Robert Carl is a composer-critic based in Hartford, Connecticut. His hyphenated career has involved creating, teaching, and commenting on music for the latter half of the twentieth century up to the present. Initially ... -
The Invisible Band: Cultural, Economic, and Societal Issues in Harmoniemusik
(2023)The phenomenon of harmoniemusik is unique in that it represents the richest emperors, the old and new aristocracy, and the poorest street beggars of Vienna all at the same time. Employing a harmoniemusik ensemble was so ... -
Use of Electronic Music in Brass Solo Literature
(2023)Brass and electronics is a relatively new performance genre from the late twentieth century that incorporates ever-advancing audio and computer technology. Over the last fifty years, the genre has advanced tremendously, ... -
"Whatever you do, fund the band": The History and Continuing Implementation of the 1921 Iowa Band Law
(University of Missouri--Kansas City, 2017)For years, community bands had two methods of receiving the requisite funds needed for operation during the concert season: donations from local businesses or the “pass-the-hat” method. The money was used to finance ...