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Reluctant sublime
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This dissertation consists of two parts: a critical essay on the Canadian poet Anne Carson's place in the lineage of confessional poetry, as well as ...
The influence of Fyodor Dostoevsky on E.M. Forster and Virginia Woolf
(University of Missouri--Columbia, 2011)
Dostoevsky's novels intrigued many English novelists when Constance Garnett's translation of The Brothers Karamazov introduced him to English readers in 1912. Both Virginia Woolf and E.M. Forster wrote critically about ...
Time, the river, and the mountain : ecology and technology in Finnegans Wake
(University of Missouri--Columbia, 2019)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI--COLUMBIA AT REQUEST OF AUTHOR.] This paper broadly investigates Finnegans Wake's resonance with ecological and environmental themes. It reads the motif of recirculation in ...
Marvelous whirlings : E.E. Cummings' Eimi, Louis Aragon, Ezra Pound, and Krazy Kat
(University of Missouri--Columbia, 2015)
In 1931, poet, painter, individual E.E. Cummings traveled to the USSR. The journal he kept during his travels would be expanded into the book Eimi and published in 1933. Eimi is an ambitious, wild, dense, and experimental ...
Understanding the subject : Woolf's use of the bildungsroman in The Voyage Out and Jacob's Room
(University of Missouri--Columbia, 2017)
This project explores the way in which Virginia Woolf uses and subverts the classic nineteenthcentury genre, the Bildungsroman in her first novel (The Voyage Out) and her third novel (Jacob's Room) in order to posit questions ...