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Transcending the technical : an examination of spirituality in choral music making for selected public
(University of Missouri--Columbia, 2019)
The purpose of this phenomenology was to contribute to the examination of the role of spirituality in choral music making for public school choral conductors in the United States. Since the year 2000, the topic of spirituality ...
The Spes salutis masses of 's-Hertogenbosch MS 75 and Clemens non Papa : a comparative study
(University of Missouri--Columbia, 2018)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] The life and work of famed sixteenth-century Franco-Flemish composer Jacobus Clemens non Papa (ca. 1510-ca. 1555) remain confounding to date or to locate geographically with any...
The late choral works of Igor Stravinsky: a reception history
(University of Missouri--Columbia, 2008)
Despite his preeminence in twentieth-century music, the late works of Igor Stravinsky (1882-1971) remain in relative obscurity: seldom performed, inadequately recorded, poorly understood, and frequently disparaged. The ...
A study of Monteverdi's three genera from the preface to Book VIII of Madrigals in relation to operatic characters in Il Ritorno d'Ulisse in patria and L'incoronazione di Poppea
The construction of character on the early operatic stage by means of musical gestures is an indisputable achievement of Claudio Monteverdi (1567-1643). Such an accomplishment was the result of a continuing development of ...