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Where have all the mothers gone? : The liminalities of child loss in contemporary drama
(University of Missouri--Columbia, 2018)
by Judith Butler. I use these works to examine the aforementioned plays and the readings, performances, and productions thereof. And Then It Was Gone received a workshop reading at the Missouri Playwrights Workshop in 2016 and a concert reading at the Mizzou...
Resisting lore in playwriting education : an investigation into the pedagogy of playwriting
(University of Missouri--Columbia, 2023)
In September of 2006, the Dramatists Guild's magazine, The Dramatist, asked the question, "Can Playwriting Be Taught?" on its cover. Inside, Marsha Norman (Pulitzer Prize-winning playwright) called this question "age-old." ...
Tempting the miracle : sacred theatre, or exploring Suzuki/Viewpoints and composition in directing John Pielmeier's Agnes of God : an auto/ethnographic memoir
(University of Missouri--Columbia, 2011)
In December of 2008, I directed John Pielmeier's Agnes of God as part of the University of Missouri-Columbia's academic year season. I took this opportunity to seize the moment and, through intense actor training and an ...
Intercultural adapturgy : twenty-first century women adapting Spanish golden age plays
(University of Missouri--Columbia, 2021)
Transferring work from one culture to another through translation or adaptation is a delicate process which requires careful consideration of both the positionality of the adapter and the intertextual reaction of the adapted ...
The recovery project : three dramatic works concerning alcoholism and recovery
(University of Missouri--Columbia, 2018)
This dissertation explores the transformative nature of storytelling in alcoholism recovery. I created a trilogy of dramatic works titled The Recovery Project, which address the underrepresented narrative of recovery through ...