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    FormatThesis (1)SubjectThesis -- University of Missouri--Kansas City -- Music (4)Beach, Amy, 1867-1944 (1)Bonis, Mél (1)Carreño, Teresa, 1853-1917 (1)Held, Anna, 1877?-1918 (1)... View MoreDate Issued2022 (1)2021 (2)2016 (1)Author/ContributorBeasley, Bryanna (1)DeSimone, Alison Clark (1)Everett, William A., 1962- (1)Gilmore, Erin (1)Granade, S. Andrew (1)... View MoreAdvisorDeSimone, Alison Clark (1)Everett, William A., 1962- (1)Granade, S. Andrew (1)Tyrrell, Sarah (1)Thesis Department
    Musicology (UMKC) (4)

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    Going off the rails: exploring the impact of the railroad on the development of musical culture in Kansas City, Missouri (1869-1905) 

    Roderer, Gabriella (2021)
    Kansas City, Missouri, is a musical oasis in the United States. In addition to being considered one of the four original jazz centers, local audiences also enthusiastically welcome art music and experimental music of all kinds. This deep...

    Influence, Innovation, and Structure: Modernist Evaluative Criteria in the Reception Histories of Charles Ives and Jean Sibelius 

    Stout, Andrew Howard (2016)
    In 1987, Maynard Solomon published an article titled “Charles Ives: Some Questions of Veracity,” which challenged the priority and probity of Charles Ives’s technical innovations and ignited a scholarly firestorm. ...

    Musical multiplicities: The lives and reception of four post-Romantic women 

    Beasley, Bryanna (2021)
    Many musical women were active during the Romantic and Post-Romantic eras. They hailed from a variety of backgrounds, and worked in a variety of musical vocations. This thesis focuses on four of these multi-talented ...

    Follow Me! Anna Held, Lillian Russell and Alice Nielsen As New Women Of the Stage At The Turn Of the Twentieth Century 

    Gilmore, Erin (2022)
    At the turn of the twentieth century, singing actresses Anna Held (1872-1918), Lillian Russell (1861-1922), and Alice Nielsen (1873-1943) were conquering the stages of musical comedy and opera. Using their pre-existing ...

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