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The visual language of identity : women's seals in Scotland and Ireland, c. 1100-1400
(University of Missouri--Columbia, 2020)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] My dissertation explores the visual expression of the power and authority of secular women in Scotland and Ireland from the twelfth through the ...
Early Franciscan painted panels as a response to the Italian Cathars
(University of Missouri--Columbia, 2020)
The wood-panel paintings created by the Franciscan order in the thirteenth century present a dramatic transition from a static, stoic Byzantine style to increasing degrees of naturalistic, realistic, emotional, and corporeal ...
The lower senses in early Netherlandish epiphany altarpieces
(University of Missouri--Columbia, 2020)
The late fifteenth and early sixteenth centuries were a time of growing affective piety and engagement with the material culture of Christian devotion in Northern Europe. The three so-called lower senses of smell, touch, ...
Reliquaries, tapestry, and still life painting : the mutability of bodies and bodily ideologies from Medieval to early-modern Europe
(University of Missouri--Columbia, 2020)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI--COLUMBIA AT REQUEST OF AUTHOR.] This thesis considers how human, animal, spatial, and material bodies function within diverse systems of knowledge. In the context of this ...
Remodeling the narrative of women and the built environment in the Middle Ages
(University of Missouri--Columbia, 2021)
Scholarship on the design, construction, decoration, and reception of the built environment during the medieval era has tended to focus on men as the primary makers and default users of this environment. However, recent ...