Search
Now showing items 1-20 of 240
Michelangelo's seizure
(University of Missouri--Columbia, 2006)
The following is a book of poems based on the lives of several classic and contemporary painters, including Michelangelo, Caravaggio, Rembrandt, Goya, Monet, Renoir, Magritte and many others. While the poems participate ...
A subject so shocking: the female sex offender in Richardson's Clarissa
(University of Missouri--Columbia, 2006)
Richardson's Clarissa is notable for the shocking rape of it's title character, but what is often critically overlooked about the plot is the presence of female accomplices during the crime. Clarissa's recollection of the ...
But in the night we are all the same
(University of Missouri--Columbia, 2004)
But In the Night We Are All the Same, a critical dystopian novel, explores the creation and perpetuation of power structures, gender identity, and desire. The protagonist, Lemon, is a member of the oppressed class. She ...
The miniature room
(University of Missouri--Columbia, 2006)
This collection of original poems is entitled The Miniature Room, at least in part to reflect its attempt at mining even the smallest detail for a larger truth. The poems themselves, brief and lyric in nature, function as ...
Reflective gazes: character and audience perception in Wycherley's the Plain Dealer
(University of Missouri--Columbia, 2006)
In his final dramatic work, William Wycherley eschews the typical standards of Restoration comedy in order to provide his audience with more than just a few good laughs and a reassuring message of social superiority. Instead ...
On marvellous things seen and heard
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Derived formally from Aristotle's Minor Work of the same title, my variation of "On Marvellous Things [Seen and] Heard" explores a range of literary ...
Like dancers following each other's steps : an analysis of lexical cues in student writing for differing audiences
(University of Missouri--Columbia, 2007)
This empirical study examines the role of lexical priming in first-year college student writers' abilities to consider multiple audiences. The writing topic assigned to all 165 first-year students is identical except for ...
Domesticating the citizen : household authority, the merchant class family and the early modern stage
(University of Missouri--Columbia, 2007)
The family in London of the seventeenth century resided at the intersection of practices heard from the pulpit and of generic forms those listeners might see in the theaters. Upon both of these ideals lie the inevitable ...
First-year composition and writing center usage
(University of Missouri--Columbia, 2007)
This study began with some initial questions about the interaction between the Composition Program and the Writing Lab at the University of Missouri-Columbia, with the first-year composition student's navigation of that ...
Roots of oral tradition in the Arabian Nights: an application of oral performance theory to the "Story of the King of China's Hunchback"
(University of Missouri--Columbia, 2007)
The aim of this thesis is to argue for the Arabian Nights as a work of verbal art whose roots are in the oral tradition of the Arab world. After a short premise meant to throw light on the status of oral storytelling in ...
The home as public space and creative initiative
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Until recently, Beat women writers have been overlooked as artists by scholarship. They have been pigeonholed as prostitutes, chicks, or conventional ...
Valuable drops of gold : exploring economics in John Gabriel Stedman's Narrative of a five years expedition against the revolted Negroes of Surinam
(University of Missouri--Columbia, 2008)
Though John Gabriel Stedman's Narrative of a Five Years Expedition against the Revolted Negroes of Surinam is not completely unfamiliar to literary scholars studying eighteenth-century depictions of African chattel slavery, ...
A banished Adam : Mark Twain and the father of the human race
(University of Missouri--Columbia, 2008)
While Mark Twain has long been viewed as irreligious, scholarship in recent years has underscored the fact that Christianity, the God of the Bible, and the Presbyterianism of his youth play an integral part in his work. ...
The crisis autobiography : Augustine, Rousseau, and Wordsworth
(University of Missouri--Columbia, 2008)
This project, which on the broadest level can be defined as a comparative study of Augustine's Confessions, Rousseau's Confessions, and Wordsworth's Prelude, is an attempt to bridge a notable gap in the critical literature. ...
Laughter and other lies
(University of Missouri--Columbia, 2007)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This dissertation contains a collection of twelve short stories as well as a critical essay on the short stories of Ann Beattie. The critical essay ...
Famous last words
(University of Missouri--Columbia, 2007)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This dissertation consists of a book-length collection of poems entitled Famous Last Words and a critical essay examining the development of an "American ...
Interpreting the gaze in Victor Hugo's Notre Dame de Paris : a Lacanian approach
(University of Missouri--Columbia, 2008)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Gaze and anxiety are the pivotal constructs in Hugo's magisterial Notre Dame de Paris, with Esmeralda as the Ur-object for both Claude Frollo and ...
Towards a deconstructive ethics : an economic sacrifice and the logic of the gift
(University of Missouri--Columbia, 2008)
This thesis argues that deconstruction as a practice has been, from its inception, inherently ethical, focusing in particular on Derrida's reading of the gift. Deconstruction, insofar as it remains committed to interrogating ...
Tools of a trade : guilt as a rhetorical device in conduct literature
(University of Missouri--Columbia, 2008)
Guilt as a rhetorical device is an aspect of the study of rhetoric that is largely ignored by the academic community. It has been used effectively, as in the case of conduct literature, for a number of years and continues ...
Fore ðære mærðe mod astige: two new perspectives on the Old English Gifts of men
(University of Missouri--Columbia, 2008)
The Old English poem The Gifts of Men has received little attention in contemporary scholarship, and when it has been referenced in recent decades, the primary trend has been to comment on its unique structure and position ...