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The symbolic significance of vice in Raymond Carver's What we talk about when we talk about love: blue-collar despair transcending class distinction
(University of Missouri, College of Arts and Sciences, 2011)
Raymond Carver's literary reputation is often defined as a minimalist writer who is known for his ability to effectively chronicle blue-collar despair. Because of his affinity to focus on characters of a lower class ...
Judgments on witness reliability from written transcripts
(University of Missouri, College of Arts and Sciences, 2011)
A myriad of research has been done on the ways in which different linguistic features can affect perceptions made about the speaker. The judgments made about a speaker can be particularly important in legal settings, like ...
The violent Mr. Hyde versus feminism: horror cinema's response to female sexuality in film adaptations of Dr. Jekyll and Mr. Hyde
(University of Missouri, College of Arts and Sciences, 2011)
As one of the most adapted literary works of all time, filmmakers throughout the twentieth century have tried to answer one inexplicable question in Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde: Why ...
Talking back: the role of poets and poems in literary conversation
(University of Missouri, College of Arts and Sciences, 2016)
Concluding paragraph: "In discovering the expansive history of poetic conversation and poetic influence, the question of authenticity now seems irrelevant. Authenticity may now be described as the extent to which a poem ...
"Immortal Harps": Milton and musical morality in Handel's Samson
(University of Missouri, College of Arts and Sciences, 2016)
Concluding paragraphs: "If Handel's contemporary James Harris is correct in observing that music and poetry "can never be so powerful singly, as when they are properly united," (152) and that Handel's "Genius ... being ...
From the Bible to Harry Potter : Updating an ancient myth into modern fantasy
(University of Missouri, College of Arts and Sciences, 2016)
The Cold War and Agency Panic in The Bell Jar and "Three Women"
(University of Missouri, College of Arts and Sciences, 2016)
Concluding paragraph: "Sylvia Plath's The Bell Jar and "Three Women" show that politics influenced Plath's writing process in both direct and subtle ways. Combining the personal with the political in these works, Plath ...
Two works in creative non-fiction: The Marine wife and Novosibirsk
(University of Missouri, College of Arts and Sciences, 2011)
The two memoirs in my thesis universalize personal experience by linking it to larger historical events (war or the fall of the Soviet Union), and illuminate the historical through the lens of intimate life. The first piece ...
Influence: the linked stories of Olive Kitteridge and developing creative work
(University of Missouri, College of Arts and Sciences, 2011)
This collection of stories stemmed from reading Harold Bloom's The Anxiety of Influence. For this project, I chose to “misread” Olive Kitteridge, a Pulitzer Prize winning novel by Elizabeth Strout. Strout's novel is a ...
Making Pierre Menard author of the Quixote: critics, creators, and context in Borges
(University of Missouri, College of Arts and Sciences, 2011)
Though it has not always been so, it is now possible to conceptualize the act of reading as a process in which we necessarily form an interpretation of a piece of literature, and in so doing, create the work, or the meaning ...
The relevance and controversy of Dorothy Parker's works
(University of Missouri, College of Arts and Sciences, 2011)
Dorothy Parker -- writer, poet, satirist, journalist -- was in her literary prime in 1920s and 30s America. America at the time was faced with considerable tensions, much of which was due to the burgeoning Women's Movement. ...
Value and exchange in Hemingway's The sun also rises
(University of Missouri, College of Arts and Sciences, 2011)
The characters in The Sun Also Rises follow a code of exchange instead of a traditional moral code. This emphasis on exchange matches the new found booming economy of the 1920s. Characters follow this code of exchange ...
Fact to fiction: how the Tuatha de Danaan of history became the fairies of contemporary fantasy
(University of Missouri, College of Arts and Sciences, 2011)
Throughout the past twenty years, the fantasy genre has expanded and taken the literary world by storm. This is seen by the emergence of such famous fantasy literature as the Harry Potter series and the Twilight Saga. Yet ...
From the boulevard to the boudoir: the prose poem's evolution from Baudelaire's scenes of French daily life to Nin Andrew's contemporary portrayal of the individual
(University of Missouri, College of Arts and Sciences, 2011)
Compared to many forms of poetry, the prose poem is one of the most experimental and understated. It is a "genre of poetry, self consciously written, and characterized by the intense use of virtually all devices of verse" ...
Beneath, before and beyond: how characters achieve a true identity through alternative education in Song of Solomon, The bear, and Things fall apart.
(University of Missouri, College of Arts and Sciences, 2011)
Dear Reader, let me tell you a story. In Toni Morrison's Song of Solomon, a black man named Milkman goes in search of his true identity. He had grown up learning to be a certain type of person: one who, like his father, ...
Ideal gender roles and individual self-expression in the novels Pride and Prejudice and Sense and Sensibility
(University of Missouri, College of Arts and Sciences, 2011)
The wide range of scholarship centered on Jane Austen is full of contention. Some put forth that she was ahead of her time in regards to feminist ideology. Others say she did not go far enough, at least in comparison to ...
Race, class, gender and property in women's writing of the Harlem Renaissance
(University of Missouri, College of Arts and Sciences, 2011)
By the 1920s, although slavery had been abolished in America decades before, many social, economic and legal inequalities remained between whites and blacks. This is well-known United States history, although to many, it ...
Comic relief
(University of Missouri, College of Arts and Sciences, 2013)
This original play focuses on the character of Jaime who goes on a journey of self-discovery as she pursues her dream of being a standup comedian.
Terrorism and spectacle in White noise and Mao II
(University of Missouri, College of Arts and Sciences, 2013)
This essay analyzes Don DeLillo's White Noise and Mao II in order to demonstrate a progression of his view of the role of the critic in postmodern society. In White Noise, DeLillo conveys his view of the postmodern condition ...
Deadbeat dad: Victor Frankenstein as the failed father
(University of Missouri, College of Arts and Sciences, 2013)
In Mary Shelley's novel Frankenstein (1831), protagonist Victor Frankenstein and his relationship to the creature have often been characterized in terms of creator and creation, with Victor trying to usurp women's procreative ...