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Perspective : cultural contexts, little magazines, and networks
(University of Missouri--Columbia, 2010)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] "This essay has surveyed a broad swath of criticism of little magazines, established both critical and cultural contexts for Perspective, assessed ...
But in the night we are all the same
(University of Missouri--Columbia, 2004)
But In the Night We Are All the Same, a critical dystopian novel, explores the creation and perpetuation of power structures, gender identity, and desire. The protagonist, Lemon, is a member of the oppressed class. She ...
Reflective gazes: character and audience perception in Wycherley's the Plain Dealer
(University of Missouri--Columbia, 2006)
In his final dramatic work, William Wycherley eschews the typical standards of Restoration comedy in order to provide his audience with more than just a few good laughs and a reassuring message of social superiority. Instead ...
A subject so shocking: the female sex offender in Richardson's Clarissa
(University of Missouri--Columbia, 2006)
Richardson's Clarissa is notable for the shocking rape of it's title character, but what is often critically overlooked about the plot is the presence of female accomplices during the crime. Clarissa's recollection of the ...
Thundering out of the shadow: modernism and identity in the novels of Felipe Alfau
(University of Missouri--Columbia, 2005)
Felipe Alfau (1902-1999), a Spanish novelist who lived in the United States, was forgotten for many years. Critics writing on Alfau in the late 1980s and early 1990s argued for the literary value of his novels by comparing ...
Fractured folk : surfing for folklore frameworks in the face of science, cyber-anxieties and the techno-apocalypse
(University of Missouri--Columbia, 2012)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] The framework of this thesis breaks down a few specific examples of select paradigm shifts that occur when traditional models of folklore studies are ...
Private devotion, common prayer, and the British novel, 1700-1815
(University of Missouri--Columbia, 2013)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Despite the cultural, social, and political influence of the established church in Britain during the eighteenth century, existing scholarship on the ...
Intersections of genre and mode : authenticity, fragility, and identification in Wordsworth's Lyrical Ballads (1800)
(University of Missouri--Columbia, 2014)
Toward a new critical materialist rhetorical methodology : ideographic tracking of family values from eugenics to neoliberalism
(University of Missouri--Columbia, 2014)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Tracing <family values> as a central ideograph, this study offers a methodological innovation that engages both material/nonhuman and symbolic/human ...
Return to sender : epistolarity in Chaucer's Legend of good women
(University of Missouri--Columbia, 2014)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] In Chaucer's Legend of Good Women, the narrator adapts several tales from Ovid's Heroides and at the end of these tales points to letters that the ...
Global justice buzz : the visual rhetoric of the Beehive Design Collective
(University of Missouri--Columbia, 2014)
Race, gender, and the limits of physicality in Ourika and Quicksand
(University of Missouri, College of Arts and Sciences, 2013)
A comparison of Claire de Duras's Ourika and Nella Larsen's Quicksand may at first seem puzzling to those familiar with the differing social and historical contexts of the two works. While it may be tempting to read Ourika ...
The moat
(University of Missouri--Columbia, 2013)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] The Moat is a short story collection unified through themes of the hidden, the underground, and the interior, both bodily and geographic. In my work, ...
Under skin: a critical essay of gender and the travel narrative
(University of Missouri, College of Arts and Sciences, 2013)
There is a line between fact and parable, and the greatest writers of travel have unabashedly and purposefully ignored it in search of the subtle poetry just beneath the surface. This collection of non-fiction essays is ...
Greek cuisine on a budget
(University of Missouri, College of Arts and Sciences, 2013)
Last summer, I spent three weeks on the island of Thassos, Greece discovering, eating, and savoring life. Immersing myself under the cool seawater and climbing out onto the rocky shore I was met not only by great natural ...
Harriet Beecher Stowe and the circulation of texts
(University of Missouri--Columbia, 2014)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This dissertation argues that even though Harriet Beecher Stowe participated in models of circulation throughout her career, they were shaped by drastic ...
The Heart Can Thirst Because Obsession is a More Country: Poems and Lacemakers: Poems
(University of Missouri--Columbia, 2014)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] In the critical introduction, I consider Claudia Rankine's innovative Don't Let Me Be Lonely from a New Media studies framework. While subtitled an ...
Border crossings : contemporary transnational literature across media and genre and Remind me again what happened : a novel
(University of Missouri--Columbia, 2012)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Remind Me Again What Happened is a novel told through three characters' perspectives, one of whom suffers from memory loss. By exploring the individual ...
Manufacturing a personage: photography and American literary celebrity, 1839-1860
(University of Missouri--Columbia, 2013)
The purpose of this thesis is to investigate the ways in which the daguerreotype influenced literary celebrity in the United States from the time of its invention in 1839 to the beginning of the Civil War in 1860. The ...
Comic relief
(University of Missouri, College of Arts and Sciences, 2013)
This original play focuses on the character of Jaime who goes on a journey of self-discovery as she pursues her dream of being a standup comedian.