Search
Now showing items 1-20 of 26
Experiments in the application of pragmatic principles to the teaching of English composition
(University of Missouri--Columbia, 1908)
Composition, in the sense of meaning the organization and expression in language of one's thoughts, was an important activity of man at a very early time, for the reason that it was necessary to him in his struggle for ...
Domestic tragedy between 1590 and 1642
(University of Missouri--Columbia, 1911)
Like all other Elizabethan drama, domestic tragedy shows in its form the influence of sacred drama. But in essence, in the distinctive qualities which constitute it practically and independent type, it owes nothing to the ...
Ben Jonson's relation to Donne
(University of Missouri--Columbia, 1906)
Edmund Gosse in his Life and Letters of John Donne has speculated at some length about the personal relationship between Jonson and Donne. Upon the evidence before him, however, Gosse hesitates to assume that this relationship ...
The dramatic structure of Shakespeare's plays
(University of Missouri--Columbia, 1904)
A drama is a presentation of an action. Action is the connection and interweaving of details, by a controlling idea, into a work of art, possessing unity; it is the train of incident, conceived as a whole. Events in ...
The English sonnet from Wyatt to Milton
(University of Missouri--Columbia, 1904)
In 1557 there was published in London a little volume hardly known to students of English Literature by the name it then bore, but familiarly known from the name of the publisher as Tottel's Miscellany. This book was a new ...
The forms and extent of Milton's influence upon Thomson, Gray and Collins
(University of Missouri--Columbia, 1908)
The attempt to trace in some detail and to indicate to some extent the influence of Milton upon the conceptions and language of Thomson, Gray, and, Collins; to show that their obligation to him is something more specific ...
Omission of the central action in the English and Scottish popular ballads
(University of Missouri--Columbia, 1914)
There are four main divisions of the examples of omission and suspense: minor omissions, suspense, omission of the central motive, and omission of the central action. The term "minor omissions" includes not only the ...
English social drama of 1600 and 1900
(University of Missouri--Columbia, 1915)
Social drama is that type of drama which has for its theme a problem touching the interests of society at large, or a great part of that society. It deals with social conditions and with problems involving the social ...
English bourgeois tragedy from 1576 to 1642
(University of Missouri--Columbia, 1915)
What is English bourgeois tragedy? What forces produced it, and what is its significance in the first great period of English drama? It is the purpose of this dissertation to answer these questions by a detailed study of ...
A comparative study of the verse rhetoric of Layamon's Brut and Beowulf
(University of Missouri--Columbia, 1915)
This thesis compares Layamon's Brut with Beowulf to examine poetic inheritance and style. Previous studies emphasizing similarities of language and meter, without definite tests of verse rhetoric, may lead to the false ...
John Horne Burns : Toward a Critical Biography
(University of Missouri--Columbia, 1985)
The dissertation traces John Horne Burns's life and career as a novelist and English teacher, from his origins in Andover through his literary success with The Gallery (1947), Lucifer with a Book (1949), and A Cry of ...
Comic pattern in the novels of Smollett
(University of Missouri--Columbia, 1973)
This dissertation focuses upon the disparity between the bodies of Smollett's novels and their endings. The former is set in a society which historians identify as the "real world" of eighteenth-century London, a world ...
The miracle play : medieval and modern
(University of Missouri--Columbia, 1918)
"The purpose of the present study is to investigate one of these three types,--the miracle play. It is the aim of the thesis to study typical examples of the medieval miracle and the entire list, so far as possible, of ...
The Old English Herbal in Cotton Ms. Vitellius C. iii : studies
(University of Missouri--Columbia, 1973)
Even for experts in the field, early English medicine seems to present difficulties. For the uninitiated, it is a trackless jungle...the field of medical and other scientific vernacular manuscripts is still a Yukon territory ...
Interpreters of Chicago : a study in American regionalism
(University of Missouri--Columbia, 1932)
The second discovery of America came when the writers discovered the interesting elements in the varied communities which made each of them unique. A like discovery had been made in England years before by George Eliot, ...
The structural quality of tone-color in Paradise lost
(University of Missouri--Columbia, 1915)
This paper attempts to show to what extent the various manifestations of tone-color in Paradise Lost have compensated for the absence of rhyme. A chapter is devoted to the assimilative office of tone-color in the poem, ...
The conception of tragedy in recent English drama
(University of Missouri--Columbia, 1913)
It is the purpose of this thesis to examine the conception of tragedy in English drama of the period 1900-1912. In the investigation three questions have been considered. 1. What conceptions of tragedy prevailed in English ...
Some English words of interest, derived from the French, based on Aiol and La Chanson de Roland
(University of Missouri--Columbia, 1904)
The greater number of English words derived from French probably came into the language either in the period of intercourse between the two countries preceding the Norman conquest, or subsequent to the conquest and as a ...
Wordsworth's theory of diction
(University of Missouri--Columbia, 1902)
With the questions, "What is Wordsworth's theory of diction?", "Did Wordsworth put his theory into practice?", and, indirectly, though necessarily, "Is Wordsworth's theory a correct one?" this paper purposes to deal. In ...
Idylls of the king : a masterpiece
(University of Missouri--Columbia, 1900)
Some say that the poetry of the future will disregard all its old laws of melody and measure and care nothing for beauty of form; others say that it will care for nothing else, that it will lose all its moral meaning and ...