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The Kissing party
(University of Missouri--Columbia, 2009)
of Shakespeare's heroines, and this dissertation argues that Clarke's work should be understood as primarily adaptive, rather than critical, in nature....
Talking turkey : visual media and the unraveling of Thanksgiving
(University of Missouri--Columbia, 2010)
Standing at the core of American culture, Thanksgiving is an invented tradition celebrated by millions of Americans. This dissertation examines contemporary representations of Thanksgiving in "the media of everyday life" -- including television...
"The great fairy science" : the marriage of natural history and fantasy in Victorian children's literature
(University of Missouri--Columbia, 2009)
This dissertation explores the merging of two unlikely literary - natural history writing and fantasy - as a subgenre of mid - to late nineteenth century British children's literature. Tailoring natural history for children, the religiously...
Philanthropic tourism and artistic authenticity : cultural empathy and the western consumption of Kyrgyz art
(University of Missouri--Columbia, 2010)
My dissertation offers a culturally-based examination of the aid-driven western marketplace for Central Asian crafts based on detailed textual and visual analysis of websites, film, online and print catalogues, and comics as well as ethnographic...
Fundamentalist rhetorics of self-determination : a feminist conundrum
(University of Missouri--Columbia, 2010)
This thesis analyzes the circulation of fundamentalist women's mediated rhetoric in the wake of Texas Child Protective Services' removal of more than 400 children from the polygamist YFZ Ranch near Eldorado, Texas, in April ...
Beginning's ends : new senses of ending and the eighteenth-century novel
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This dissertation argues that an examination of innovative endings in both canonized and forgotten eighteenth-century prose fiction contributes to our understanding of the early...
Reconstructing gender, personal narrative, and performance at the Michigan Womyn's Music Festival
(University of Missouri--Columbia, 2008)
This ethnographic study examines the Michigan Womyn's Music Festival, a thirty-two-year-old, week-long event that features women performers and relies on an all female staff who produce the event for an audience of women ...
The creation of The four million : O. Henry's influences and working methods
(University of Missouri--Columbia, 2008)
Though O. Henry's The Four Million was intended as an attack on Ward McAllister's idea of the Four Hundred, each man is mentioned only in passing in studies of the other. One chapter therefore contrasts the two men by ...
Fore ðære mærðe mod astige: two new perspectives on the Old English Gifts of men
(University of Missouri--Columbia, 2008)
The Old English poem The Gifts of Men has received little attention in contemporary scholarship, and when it has been referenced in recent decades, the primary trend has been to comment on its unique structure and position ...
Katrina's other disaster : examining second disaster literature and placing post-Katrina New Orleans
(University of Missouri--Columbia, 2014)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This thesis examines the literary treatment of the time period following major natural and manmade disasters known as the "second disaster," which this ...
The eight leaves
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] The creative dissertation The Eight Leaves is a deconstructed memoir, composed in a series of inter-connected lyric essays structured in a ring composition. The manuscript...
Adding to the fragment : happiness & conversation in three eighteenth-century comedic novels
(University of Missouri--Columbia, 2010)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Recently, Happiness Studies has become an important field of inquiry. This paper brings some of the insights of Happiness Studies to bear on three ...
Representations of the violently displaced black female self in contemporary African literature: African and African Diaspora Studies scholarly dissertation, & House on a jade sea : creative writing, fiction, dissertation
(University of Missouri--Columbia, 2010)
in relation to black female colonial and postcolonial subjectivity. The dissertation examines the aforementioned intersectionalities within select border-shifting, transregional, and transnational contemporary African narratives with a special focus...
Merchants and the medieval mirror
(University of Missouri--Columbia, 2010)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] My dissertation examines the representation of merchants in late medieval poems inspired by mirrors for princes. The mirror was a genre that had an explicitly stated purpose...
Breathing in the other : enthusiasm and the sublime in eighteenth-century Britain
(University of Missouri--Columbia, 2008)
. It also recasts enthusiasm as more than mere madness or a matter of emotion and takes the problem of inspiration seriously. The method applied here is largely psychoanalytic. Jacques Lacan's concepts of the subject and the Other inform this dissertation...
Monuments of human antiquity : William Blake's Milton, a poem as a topographical survey of human creativity
(University of Missouri--Columbia, 2010)
This study explores the influences of the eighteenth-century cultural interest in Antiquity on William Blake's illuminated book Milton, a Poem. Beginning with William Stukeley's guidebooks, Stonehenge, A Temple Restor'd ...
The medieval English begging poem
(University of Missouri--Columbia, 2008)
Since the only consistent feature of medieval English begging poems is the fact that they beg, usually for funds due, the form cannot quite be considered a genre. However, the relationships between poets and patrons that ...
Illustrated editions : depicting the eighteenth-century British novel
(University of Missouri--Columbia, 2010)
This dissertation on illustrated British fiction from the 1740s to 1830s argues that a vital part of novelistic interpretation is omitted when illustrations are overlooked. Rather than viewing the novels of the eighteenth century as solely works...