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The many faces of Daniel Defoe's Robinson Crusoe : examining the Crusoe myth in film and on television
(University of Missouri--Columbia, 2007)
This dissertation focuses on the cinematic versions of the Robinson Crusoe story. Starting from the early 1900s, a significant number of films rewrite, reinvent, and rework the Crusoe myth. Instead of replicating Defoe's ...
The January party
(University of Missouri--Columbia, 2008)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] The January Party is an original volume of poems accompanied by a critical essay entitled Graphs of Totality. The poems engage and revise historical ...
Re/presenting traditions: identity, power, and politics in folklife programming
(University of Missouri--Columbia, 2008)
Deliberately playing on the word "tradition," in Re/Presenting Traditions: Identity, Power, and Politics in Folklife Programming, my research interrogates both current practices of re/presenting traditional cultures to the public, as well...
Ordination
(University of Missouri--Columbia, 2006)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Ordination consists of a collection of eight short stories and an introductory essay that situates the author and his work in contexts biographical, ...
Science frictions : science, folklore, and "the future"
(University of Missouri--Columbia, 2019)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Folklore and science, along with the subject of the future which has slowly over time worked its way into the discourses of both, have a long, complicated ...
But in the night we are all the same
(University of Missouri--Columbia, 2004)
But In the Night We Are All the Same, a critical dystopian novel, explores the creation and perpetuation of power structures, gender identity, and desire. The protagonist, Lemon, is a member of the oppressed class. She ...
Philanthropic tourism and artistic authenticity : cultural empathy and the western consumption of Kyrgyz art
(University of Missouri--Columbia, 2010)
My dissertation offers a culturally-based examination of the aid-driven western marketplace for Central Asian crafts based on detailed textual and visual analysis of websites, film, online and print catalogues, and comics ...