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Living and acting in Kansas City versus Southern California
(University of Missouri--Kansas City, 2011-05-31)
The purpose of this thesis is to compare theatre students' and recent theatre student alumni's descriptions of acting opportunities in Kansas City versus Southern California. Students from Southern California and Kansas ...
Joanna Baillie: The Theory in Her Plays on the Passions and an Analysis of Four Dramas Within that Series
(University of Missouri--Kansas City, 2010)
This thesis examines the theatre theory as outlined by Joanna Baillie in the Introductory Discourse to her Series of Plays in Which it is Attempted to Delineate the Stronger Passions of the Mind: Each Passion Being the ...
The Coterie Theatre’s Transition from Children’s Theatre to Multigenerational Theatre: 1991-2014
(2015)
The programming of The Coterie Theatre of Kansas City, Missouri, under Artistic
Director Jeff Church, was studied from September 1990 to August 2014. The works
researched included world, commissioned and American premieres ...
A Gathering of Voices: Storytelling with Nilo Cruz and Students in the Urban Core
(2016)
“A Gathering of Voices: Storytelling with Nilo Cruz and Students in the Urban Core”
examines the importance of storytelling and the impact it can have in our lives through
theatre, literature, and our own context and ...
Women Artistic Directors in Kansas City and Their Processes
(2015)
This thesis is an overview of several important women artistic directors who have
helped form the recent Kansas City theatre landscape. Cynthia Levin, Jeanne Beechwood,
Sidonie Garrett, Karen Paisley, and Heidi Van are ...
We Happy Few: An Exploration of the Feast of Crispian and Military Stories in Shakespeare
(University of Missouri--Kansas City, 2018)
This thesis examines the theatre group Feast of Crispian, a non-profit organization which
brings together professional actors with post-deployment service veterans. The group
formed in 2012 and is in the process of ...
A History and Assessment of Jonathan Larson's Rent
(2020)
This project, a graduate research thesis, intends to provide information and analysis of Jonathan Larson’s 1996 musical Rent. It covers the life and works of Jonathan Larson, the production history of Rent, Rent’s 1896 ...
Mamet On Mamet: Politics and Poetics in Oleanna, Race, The Anarchist, and China Doll
(2016)
Mamet on Mamet: Politics and Poetics in Oleanna, Race, The Anarchist, and
China Doll” aims to illuminate Mamet’s mature aesthetic through a close examination of
four of his later plays. The thesis blends textual ...
August Wilson’s Century Cycle: Preserving History and Honoring African Rituals Through the Proverb of the Sankofa
(2016)
August Wilson’s Century Cycle has been studied by scholars as a documentation
of the history of African Americans. His ten plays in that cycle use historical events to
chronicle the African American experience in ...
Staging The Merchant of Venice in the 21ˢᵗ Century: A Dramaturgical Case Study
(2015-08-12)
“Staging The Merchant of Venice in the 21ˢᵗ Century: A Dramaturgical Case Study”
aims to document the Heart of America Shakespeare Festival’s 2015 production of The
Merchant of Venice by framing it within the historical ...
The technical director: the history, the legacy, and a glimpse behind the curtain
(2013)
The central purpose of this thesis is to explore and document the position of the
technical director within the American theatre during the 20th century and into the present
day. The research focuses more heavily on the ...
Setting the Stage for Kansas City talent and Diversity The KC Meltingpot Theatre
(2015)
This thesis aims to chronicle the origins of The KC MeltingPot Theatre Company, owned and operated by Kansas City area couple Harvey and Linda Williams. The primary focus will be on the works produced by The KC MeltingPot Theatre Company...
The changing face of Joan of Arc: the appropriation of Joan of Arc in twentieth-century American theatre
(University of Missouri--Kansas City, 2012-08-24)
The Changing Face of Joan of Arc: The Appropriation of Joan of Arc in Twentieth-century American Theatre shows that the evolution of Joan of Arc's image reflected the culture of each era, and illustrated the changing social ...
Battles of the sexes onstage: explorations of changing Gender roles by four American women playwrights of the 1910s-1930s
(2014-07-30)
as an introduction with three different female characters from three generations with varying marital statuses. The first group of plays focuses on women trapped in unhappy marriages and includes He and She (1911) by Rachel Crothers, Trifles (1916) and The Verge...
The Unicorn Theatre: A Brief History 1974-2020
(2020)
. Their work focused on experimentation and using theatre as a political statement for social change. For years, the theatre operated as a community of people who wore many hats and performed many functions. In some ways, this still remains true. However...
Expanding Theatre: Directing Approaches from Contemporary Chilean Women Directors
(2020)
This thesis examines the careers, theatrical ideologies, and directing methodologies of three contemporary Chilean women stage directors: Andrea Giadach, Alexandra von Hummel, and Ignacia González. Respective chapters ...
Family Systems Theory in Chekhov’s ‘Big Four’ Plays
(University of Missouri -- Kansas City, 2018)
This thesis discusses the Bowen family systems theory and its application to character
analysis and family relationships in drama. Chekhov’s plays are renowned for their
psychological realism. Each character has his ...
StoneLion: A Narrative of a Kansas City Puppet Theatre
(2014)
StoneLion: A Narrative of a Kansas City Puppet Theatre documents a vital Kansas City, Missouri, non-profit arts organization from its inception to the year 2014. The thesis includes the company’s mission, its evolution ...
The application of Jungian archetypes to the analysis of character in three early plays by W. B. Yeats
(2014-07-16)
to be professionally produced, The Land of Heart's Desire, and focuses on the significance that images of the Maiden, the Wise Old Man, the Child, and the Trickster hold in that work. Chapter IV revolves around two versions of Yeats's play The Hour-Glass, and upon...
Connecting the dots: a history of Stephen Sondheim's Sunday in the Park with George
(University of Missouri--Kansas City, 2012-05-22)
This thesis is a history of Stephen Sondheim's musical Sunday in the Park with George (1984), which was inspired by Georges Seurat's masterpiece: Un dimanche à la Grande Jatte (1886). By first examining the lives and ...