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A study of Monteverdi's three genera from the preface to Book VIII of Madrigals in relation to operatic characters in Il Ritorno d'Ulisse in patria and L'incoronazione di Poppea
(University of Missouri--Columbia, 2018)
The construction of character on the early operatic stage by means of musical gestures is an indisputable achievement of Claudio Monteverdi (1567-1643). Such an accomplishment was the result of a continuing development of ...