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    FormatThesis (12)SubjectThesis -- University of Missouri--Kansas City -- Theatre (15)Theater -- Missouri -- Kansas City -- History -- 20th century (2)Theater -- Missouri -- Kansas City -- History -- 21st century (2)Acting (1)Acting -- Vocational guidance (1)... View MoreDate Issued2020 - 2021 (3)2010 - 2019 (12)Author/ContributorLondré, Felicia Hardison, 1941- (15)Bernal, Anthony John II (1)BurroughsScanlon, Jeph (1)Campagna, Vanessa (1)Cordero, Ruth Estrella (1)... View MoreSubject: PlaceCalifornia, Southern (1)Missouri -- Kansas City (1)Advisor
    Londré, Felicia Hardison, 1941- (15)
    Thesis DepartmentTheatre (UMKC) (13)Theatre Arts (UMKC) (1)Theatre History (UMKC) (1)

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    Now showing items 1-15 of 15

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    Living and acting in Kansas City versus Southern California 

    DeSeure, Erin Kimberly, 1986- (University of Missouri--Kansas City, 2011-05-31)
    The purpose of this thesis is to compare theatre students' and recent theatre student alumni's descriptions of acting opportunities in Kansas City versus Southern California. Students from Southern California and Kansas ...

    Family Systems Theory in Chekhov’s ‘Big Four’ Plays 

    Welder, Calan Hughes (University of Missouri -- Kansas City, 2018)
    This thesis discusses the Bowen family systems theory and its application to character analysis and family relationships in drama. Chekhov’s plays are renowned for their psychological realism. Each character has his ...

    Expanding Theatre: Directing Approaches from Contemporary Chilean Women Directors 

    Joseph, Mary Allison (2020)
    of specific directing methods, thus illuminating the director’s beliefs in action. In each chapter, the author asserts that the director’s innovative thinking and creative practices constitute expansions of the theatrical artform. Finally, the author traces...

    Getting to Know Rodgers and Hammerstein: Education and Adaptation in 21st-century performance 

    Livingston, Gabriel J. (2020)
    Richard Rodgers and Oscar Hammerstein II forever changed the face of American musical theatre when Oklahoma! opened on Broadway in 1943. This collaboration is often cited by historians as the first fully-integrated book ...

    Theatre for Young America: A History 

    Bernal, Anthony John II (2015-05-19)
    In the spring of 1974, a family of actors has recently landed in Kansas City, Missouri. Father, Gene Mackey, is working for one of the areas four professional dinner theatres and has been authorized by his employer to ...

    The Coterie Theatre’s Transition from Children’s Theatre to Multigenerational Theatre: 1991-2014 

    Trebus, Danielle M. (2015)
    The programming of The Coterie Theatre of Kansas City, Missouri, under Artistic Director Jeff Church, was studied from September 1990 to August 2014. The works researched included world, commissioned and American premieres ...

    The changing face of Joan of Arc: the appropriation of Joan of Arc in twentieth-century American theatre 

    Newberry, Boni (University of Missouri--Kansas City, 2012-08-24)
    The Changing Face of Joan of Arc: The Appropriation of Joan of Arc in Twentieth-century American Theatre shows that the evolution of Joan of Arc's image reflected the culture of each era, and illustrated the changing social ...

    The Deputy 

    BurroughsScanlon, Jeph (2021)
    The Deputy is a play written by Rolf Hochhuth. Hochhuth was a German editor-turned-playwright who grew up as a Nazi youth. Something that we must understand is that to the Nazi youth of the 1930s and ‘40s, their own ...

    Connecting the dots: a history of Stephen Sondheim's Sunday in the Park with George 

    Rubino, Rebecca H. (University of Missouri--Kansas City, 2012-05-22)
    This thesis is a history of Stephen Sondheim's musical Sunday in the Park with George (1984), which was inspired by Georges Seurat's masterpiece: Un dimanche à la Grande Jatte (1886). By first examining the lives and ...

    Skywalk 

    Davison, Amanda (University of Missouri--Kansas City, 2017)
    This project, a full-length play, intends to illuminate the facts surrounding the architectural collapse at the Hyatt Regency Crown Center in July 1981, when two bridges in the hotel lobby called skywalks collapsed, ...

    Redating Pericles: A Re-examination of Shakespeare’s Pericles as an Elizabethan Play 

    Stelting, Michelle Elaine (2015)
    Pericles's apparent inferiority to Shakespeare’s mature works raises many questions for scholars. Was Shakespeare collaborating with an inferior playwright or playwrights? Did he allow so many corrupt printed versions ...

    Staging The Merchant of Venice in the 21ˢᵗ Century: A Dramaturgical Case Study 

    Germinder, Alyson Elizabeth (2015-08-12)
    “Staging The Merchant of Venice in the 21ˢᵗ Century: A Dramaturgical Case Study” aims to document the Heart of America Shakespeare Festival’s 2015 production of The Merchant of Venice by framing it within the historical ...

    Picasso : theatre artist 

    Lynch, Shawna Yvonne (University of Missouri--Kansas City, 2012-09-27)
    Picasso: Theatre Artist is centered upon Pablo Picasso‟s work in the theatrical field. Pablo Picasso is internationally known as a Spanish painter who championed the Cubist perspective in graphic art. However, his extensive ...

    Emerging from the Ground: The Meaning of Messiah in August Wilson’s Pittsburgh Cycle 

    Cordero, Ruth Estrella (2013)
    Pittsburgh playwright and poet August Wilson wrote a series of ten plays in which each play is set in a different decade of the twentieth century. This series of plays is often referred to as the Pittsburgh Cycle. The ...

    (In)Visible: performances of gay and lesbian dramatic literature on the American stage from 1910 to 1969 

    Campagna, Vanessa (University of Missouri--Kansas City, 2012-05-01)
    (In)Visible: Performances of Gay and Lesbian Dramatic Literature on the American Stage from 1910 to 1969 provides a decade-by-decade analysis of plays with queer content from the 1910s to the 1960s. The aim is to chronicle ...

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