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Museum magazine, number 79 (2022 Fall)
(University of Missouri, Museum of Art and Archaeology, 2022)
Museum magazine, Number 53 (2008 Fall)
(University of Missouri, Museum of Art and Archaeology, 2008)
This issue's featured article, entitled "Missouri through Lens and Palette," gives an overview of an exhibit (co-presented by the Missouri Photo Workshop) of paintings and photographs documenting Missouri. Other articles ...
The Museum of Art and Archaeology : A Brief History
(University of Missouri--Columbia. Museum of Art and Archaeology, 2019)
Museum magazine, Number 55 (2009 Fall)
(University of Missouri, Museum of Art and Archaeology, 2009)
The featured article in this issue is another look at the "The Sacred Feminine, Prehistory to Postmodernity" exhibit (not the same article featured in issue 54). After that, it offers an overview of the "Faces of Warhol" ...
Museum Magazine, Number 56 (2010 Winter)
(University of Missouri, Museum of Art and Archaeology, 2010)
The issue's feature article, "Connecting with Contemporary Sculpture," explores the relationship between viewer and object from a variety of standpoints. Other articles include a focus on goldsmith's art in "The Voyage of ...
Museum Magazine, Number 74 (2019 Winter)
(University of Missouri, Museum of Art and Archaeology, 2019)
Museum of Art and Archaeology, Number 45 (2004 Fall)
(University of Missouri, Museum of Art and Archaeology, 2004)
Museum Magazine, Number 66 (2015 Winter)
(University of Missouri, Museum of Art and Archaeology, 2015)
The issue's feature article, "Jun Kaneko's large-scale ceramics," focuses on The Museum of Art and Archaeology's acquisition of three works by Japanese-American ceramics artist Jun Kaneko. Egyptian King, Egyptian Queen, and 6' Dango were a gift...
Muse, number 53-54 (2019-2020)
(University of Missouri, Museum of Art and Archaeology, 2020)
Dialogue at the Threshold: The Artist Between Museum and Community
(2015)
Artists Suzanne Lacy and Ann Hamilton use forms of language to produce
experiences that challenge the individual’s perception. While differing in methods and
outcomes, Lacy and Hamilton construct environments that allow ...
An American View of the Church of the Holy Sepulchre
(University of Missouri--Columbia. Museum of Art and Archaeology, 1977)
David Le Marchand's Madonna and Child
(University of Missouri--Columbia. Museum of Art and Archaeology, 1974)
Feline Fracas
(MU Alumni Association, University of Missouri, 2014)
"The Tigers welcome the Wildcats for a pivotal SEC East matchup"
Decentering experience : beyond visitor or object centered philosophies in university art museums and exhibition design
(University of Missouri--Columbia, 2018)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] In the face of current museum trends towards heavily visitor-centered philosophies, this research offers a better understanding of how museums can theorize and practice in...
Texan City magazine health news : a content analysis
(University of Missouri--Columbia, 2019)
City magazines have a powerful role in convincing readers to take proactive health measures, however they rarely take advantage of their capacity to set their communities' public agendas. This study considered the health content in five city...
"An Ephemeris in Jest and Earnest" : Etchings from the 1846 Comic Almanack
(University of Missouri--Columbia. Museum of Art and Archaeology, 1999)
in the nine- teenth century when magazines began to meet the interests of their increasingly varied audience with more diverse subject matter. One type of periodical that flourished in the diversity of this time was the humor magazine. A popular example...
Muse, number 51 (2017)
(University of Missouri, Museum of Art and Archaeology, 2017)
Gladys D. Weinberg
(University of Missouri--Columbia. Museum of Art and Archaeology, 2002)
Robert's Temptation of a Saint : A Reinterpretation
(University of Missouri--Columbia. Museum of Art and Archaeology, 1981)
Art in Scale: Barbara Marshall and the Fine-Scale Miniature Movement
(University of Missouri--Kansas City, 2016)
criteria, which in turn raised the standards of the artists. She commissioned artists to create their dream works, which allowed artists to explore the boundaries of their creativity. And, finally, she co-founded The National Museum of Toys and Miniatures...