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Women Artistic Directors in Kansas City and Their Processes
(2015)
This thesis is an overview of several important women artistic directors who have
helped form the recent Kansas City theatre landscape. Cynthia Levin, Jeanne Beechwood,
Sidonie Garrett, Karen Paisley, and Heidi Van are ...
StoneLion: A Narrative of a Kansas City Puppet Theatre
(2014)
StoneLion: A Narrative of a Kansas City Puppet Theatre documents a vital Kansas City, Missouri, non-profit arts organization from its inception to the year 2014. The thesis includes the company’s mission, its evolution from a profit to a non...
Directing Molière: Presenting the French Master to American Audiences
(2016)
This thesis examines the presentation of the plays of Molière by American directors
for American audiences. How have his works been produced and reimagined by directors
from his own country? What are the qualities ...
Theatre of community: healing functions of theatre in society
(2013)
This thesis addresses multiple social and
psychological implications found within three types of
theatre and their communities and audiences. In particular
it embraces the theory that people can benefit from the
group-healing ...
Picasso : theatre artist
(University of Missouri--Kansas City, 2012-09-27)
Picasso: Theatre Artist is centered upon Pablo Picasso‟s work in the theatrical field. Pablo Picasso is internationally known as a Spanish painter who championed the Cubist perspective in graphic art. However, his extensive work with the theatre...
Hello, Cruel World: Antonin Artaud’s Pursuit of Primal Theatre
(2016)
This thesis delves into the most volatile years of the notoriously volatile life of French
poet and theatrical theorist Antonin Artaud (1896–1948). At the heart of the research is an
examination of his voyages to Mexico ...
Connecting the dots: a history of Stephen Sondheim's Sunday in the Park with George
(University of Missouri--Kansas City, 2012-05-22)
This thesis is a history of Stephen Sondheim's musical Sunday in the Park with George (1984), which was inspired by Georges Seurat's masterpiece: Un dimanche à la Grande Jatte (1886). By first examining the lives and ...
We are our Heroes: Understanding Western Culture through Faust, Don Juan, and Joan of Arc
(University of Missouri--Kansas City, 2017)
The purpose of this work is to identify and analyze patterns in three of the most
popular characters in Western (Europe and the Americas) theatre history. Faust/Faustus, Don
Juan, and Joan of Arc are the subjects of ...
The Ruhls of Relationships: Connecting with Others Through Theatrical Ambiguity
(University of Missouri--Kansas City, 2017)
The Ruhls of Relationships: Connecting with Others Through Theatrical Ambiguity aims to
bring attention to the enjoyable relationship one should have with theatre that encourages
ambiguity and to highlight the joy and ...
The Unicorn Theatre: A Brief History 1974-2020
(2020)
The Unicorn Theatre was originally founded under the name Theatre Workshop in 1974. It was a theatre company formed by three UMKC graduates, Jim Cairns, Rohn Dennis, and Liz Gordon who wanted to create an Off-Off-Broadway ...
A History and Assessment of Jonathan Larson's Rent
(2020)
This project, a graduate research thesis, intends to provide information and analysis of Jonathan Larson’s 1996 musical Rent. It covers the life and works of Jonathan Larson, the production history of Rent, Rent’s 1896 ...
A Gathering of Voices: Storytelling with Nilo Cruz and Students in the Urban Core
(2016)
“A Gathering of Voices: Storytelling with Nilo Cruz and Students in the Urban Core”
examines the importance of storytelling and the impact it can have in our lives through
theatre, literature, and our own context and ...
The application of Jungian archetypes to the analysis of character in three early plays by W. B. Yeats
(2014-07-16)
The purpose of the following study is to explore and examine three early plays authored by the iconic late-19th and 20th-century Irish poet-playwright W. B. Yeats (1865-1939) through the identification and conscious ...
Bloodlines
(2015-08-12)
A drama in two acts, Bloodlines centers upon a traditional farm family in Iowa,
several years in the future. The climate has changed, and though they struggle to
maintain the centuries-old family home and traditions ...
The legacy behind Literature to Life: a history and narrative of Wynn Handman, The American Place Theatre and Literature to Life
(2013)
Literature to Life is a performance-based literacy program developed under the
auspices of The American Place Theatre in New York City (1994). The American Place
Theatre was founded in 1964 and stewarded by the artistic ...
In Old Kentucky: A Study of American Melodrama
(2020)
This project, a graduate research thesis, means to unearth Charles T. Dazey’s most famous work, In Old Kentucky. This thesis examines the facets of In Old Kentucky which made it a perennial favorite across the entirety of ...
Battles of the sexes onstage: explorations of changing Gender roles by four American women playwrights of the 1910s-1930s
(2014-07-30)
of the work of these four playwrights highlight issues that were most pressing to women during the 1910s-1930s, the social spheres in which inequality of the sexes existed most drastically, and various ways in which women fought and re-defined traditional...
Staging The Merchant of Venice in the 21ˢᵗ Century: A Dramaturgical Case Study
(2015-08-12)
“Staging The Merchant of Venice in the 21ˢᵗ Century: A Dramaturgical Case Study”
aims to document the Heart of America Shakespeare Festival’s 2015 production of The
Merchant of Venice by framing it within the historical ...
Theatre for Young America: A History
(2015-05-19)
In the spring of 1974, a family of actors has recently landed in Kansas City,
Missouri. Father, Gene Mackey, is working for one of the areas four professional dinner
theatres and has been authorized by his employer to ...
Expanding Theatre: Directing Approaches from Contemporary Chilean Women Directors
(2020)
This thesis examines the careers, theatrical ideologies, and directing methodologies of three contemporary Chilean women stage directors: Andrea Giadach, Alexandra von Hummel, and Ignacia González. Respective chapters ...