Now showing items 1-5 of 5
Do my eyes deceive me?: “Acts of Sight” in Naomi Iizuka’s Polaroid Stories, Concerning Strange Devices From the Distant West, War of the Worlds, and Good Kids
(University of Missouri--Columbia, 2018)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Do My Eyes Deceive Me?: Acts of Sight in Naomi Iizuka's Polaroid Stories, Concerning Strange Devices from the Distant West, War of the Worlds, and Good ...
Killing "woman" : gender and violence in selected plays by Sheila Callaghan and Marisa Wegrzyn
(University of Missouri--Columbia, 2019)
One of the most popular manifestations of spectacle in the theatre is violence. Frequently, violence on the stage manifests in the form of violence towards women at the hands of men. As a woman violence and intimacy designer, ...
Tempting the miracle : sacred theatre, or exploring Suzuki/Viewpoints and composition in directing John Pielmeier's Agnes of God : an auto/ethnographic memoir
(University of Missouri--Columbia, 2011)
In December of 2008, I directed John Pielmeier's Agnes of God as part of the University of Missouri-Columbia's academic year season. I took this opportunity to seize the moment and, through intense actor training and an ...
The theatre lobby experience : the audience's perspective
(University of Missouri--Columbia, 2010)
What meaning does the audience give to the lobby? Using the qualitative methodology grounded theory, analysis of directed interviews were collected for this study, and the following theory emerged: An audience member with ...
Connections and confluences : the personal and artistic journeys in the writing of Survival dance
(University of Missouri--Columbia, 2007)
Ways in which plays are written are simultaneously known and unknown, similar and different. The writing, in general, is guided by traditions of story and theatre. Specifically, the writing is guided by the life of the ...