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The spirit of exhibition and visual pedagogy in the work of Charles and Ray Eames
(University of Missouri--Columbia, 2020)
This project examines the ways in which Charles and Ray Eames promoted visual pedagogy in their exhibitions and new media experiments. Through cooperative efforts with various artists, designers, educators, scholars, ...
Sisterhood as strategy : the collaborations of American women artists in the gilded age
(University of Missouri--Columbia, 2018)
This dissertation employs four case studies--illustrator Alice Barber Stephens in Philadelphia; Louisville-born sculptor Enid Yandell; photographer Frances Benjamin Johnston in Washington, D.C.; and the Newcomb College ...
The lower senses in early Netherlandish epiphany altarpieces
(University of Missouri--Columbia, 2020)
The late fifteenth and early sixteenth centuries were a time of growing affective piety and engagement with the material culture of Christian devotion in Northern Europe. The three so-called lower senses of smell, touch, ...
Architectural coin types : reflections of Roman society
(University of Missouri--Columbia, 2010)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Architectural representations on Roman coins are among the most intensely studied images on ancient coins. Scholars frequently use them as evidence to reconstruct a monument...
The material politics of ivory in early modern Europe
(University of Missouri--Columbia, 2021)
This dissertation sets out to challenge the material history and biography of ivory in early modern Europe (ca. 1600-1800) and explores the mutable materialities of ivory as both a sculptural material and a vehicle of ...