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The spirit of exhibition and visual pedagogy in the work of Charles and Ray Eames
(University of Missouri--Columbia, 2020)
; and technology could help to create a visually literate populace. Consequently, the Eameses combined traditional display models and new media in highly choreographed spaces that relied on objects and images to communicate cultural histories, ideas, and values....
The lower senses in early Netherlandish epiphany altarpieces
(University of Missouri--Columbia, 2020)
The late fifteenth and early sixteenth centuries were a time of growing affective piety and engagement with the material culture of Christian devotion in Northern Europe. The three so-called lower senses of smell, touch, and taste were very much a...
Pre- and protopalatial Minoan larnax : individuals vs collective identity in pre- and protopalatial Crete
(University of Missouri--Columbia, 2021)
Prepalatial and Protopalatial larnakes offer a corpus of material with their own biography which has long been ignored, passed over, or forgotten. They represent the beginning of a mortuary tradition of burials in ceramic containers that spans a...
Early Franciscan painted panels as a response to the Italian Cathars
(University of Missouri--Columbia, 2020)
The wood-panel paintings created by the Franciscan order in the thirteenth century present a dramatic transition from a static, stoic Byzantine style to increasing degrees of naturalistic, realistic, emotional, and corporeal representations. As a...
Big ideas in little boxes : nation building in three nineteenth-century American parlor games by Milton Bradley and Company
(University of Missouri--Columbia, 2020)
Milton Bradley and Company manufactured its first game, The Checkered Game of Life, in 1860, only months before the American Civil War broke out. Soon after, it produced the Myriopticon A Historical Panorama of the Rebellion, and the Historiscope A...
The material politics of ivory in early modern Europe
(University of Missouri--Columbia, 2021)
This dissertation sets out to challenge the material history and biography of ivory in early modern Europe (ca. 1600-1800) and explores the mutable materialities of ivory as both a sculptural material and a vehicle of cultural meaning. As an often...