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Now showing items 1-17 of 17
The spirit of exhibition and visual pedagogy in the work of Charles and Ray Eames
(University of Missouri--Columbia, 2020)
; and technology could help to create a visually literate populace. Consequently, the Eameses combined traditional display models and new media in highly choreographed spaces that relied on objects and images to communicate cultural histories, ideas, and values....
The cult of Rodin : words, photographs, and colonial history in the spread of Auguste Rodin's reputation in northeast Asia
(University of Missouri--Columbia, 2006)
exhibition in Japan, Korea, and China held in 1966, 1985, and 1993, respectively, this study argues that wide dissemination of images and written accounts of the sculptor's works, fueled by each country's urge to emulate the culture of the West, created a...
Regional variation in protopalatial Crete?: a comparison of Minoan domestic and funerary architecture in Eastern and Central Crete
(University of Missouri--Columbia, 2007)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This study investigates the existence and extent of regional variation in Crete in the Protopalatial period (Middle Minoan IB-II) as reflected in the material record besides...
Dedications in clay : terracotta figurines in early Iron Age Greece (c. 1100-700 BCE)
(University of Missouri--Columbia, 2007)
This dissertation explores early Greek religion and society through a contextual analysis of the ritual use of terracotta votive figurines in the Early Iron Age, c. 1100-700 BCE. I have compiled the major deposits of terracotta figurines (both...
Architectural coin types : reflections of Roman society
(University of Missouri--Columbia, 2010)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Architectural representations on Roman coins are among the most intensely studied images on ancient coins. Scholars frequently use them as evidence to reconstruct a monument...
Death and burial in ancient Alexandria: the Necropolis of Moustapha Pasha
(University of Missouri--Columbia, 2007)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] As study of the Alexandrian monumental rock-cut tombs in the eastern necropolis of Moustapha Pasha, leads to a re-examination of their artifacts, architectural features...
After Watteau: Nicolas Lancret and the creation of the hunt luncheon
(University of Missouri--Columbia, 2018)
the lowest of foods have been redeemed and made fashionable again -- think Spam fried rice. Paintings of food during the eighteenth century can be viewed in a comparable way. The items depicted by the artist(s) have certain social connotations and long...
The lower senses in early Netherlandish epiphany altarpieces
(University of Missouri--Columbia, 2020)
The late fifteenth and early sixteenth centuries were a time of growing affective piety and engagement with the material culture of Christian devotion in Northern Europe. The three so-called lower senses of smell, touch, and taste were very much a...
Roman Egypt : change amid continuity in the art and architecture of an Eastern Imperial Province
(University of Missouri--Columbia, 2007)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] The Roman province of Aegyptus has most often been considered from an administrative, governmental, or economic perspective while its art and architecture has usually been...
The early imperial ceramics as evidence for life at Roman Sardis
(University of Missouri--Columbia, 2019)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Historical testimonia tell us that in the year 17 CE, an earthquake struck in Western Asia Minor and destroyed the city of Sardis. Recent excavations in the Field 49, Field 55...
Pre- and protopalatial Minoan larnax : individuals vs collective identity in pre- and protopalatial Crete
(University of Missouri--Columbia, 2021)
Prepalatial and Protopalatial larnakes offer a corpus of material with their own biography which has long been ignored, passed over, or forgotten. They represent the beginning of a mortuary tradition of burials in ceramic containers that spans a...
Sisterhood as strategy : the collaborations of American women artists in the gilded age
(University of Missouri--Columbia, 2018)
--to show how individual women artists from a variety of media utilized collaborative strategies to advance their professional careers. These strategies included mentoring, teaching, and sharing commissions with one another; establishing art organizations...
Early Franciscan painted panels as a response to the Italian Cathars
(University of Missouri--Columbia, 2020)
The wood-panel paintings created by the Franciscan order in the thirteenth century present a dramatic transition from a static, stoic Byzantine style to increasing degrees of naturalistic, realistic, emotional, and corporeal representations. As a...
The material politics of ivory in early modern Europe
(University of Missouri--Columbia, 2021)
This dissertation sets out to challenge the material history and biography of ivory in early modern Europe (ca. 1600-1800) and explores the mutable materialities of ivory as both a sculptural material and a vehicle of cultural meaning. As an often...
Big ideas in little boxes : nation building in three nineteenth-century American parlor games by Milton Bradley and Company
(University of Missouri--Columbia, 2020)
Milton Bradley and Company manufactured its first game, The Checkered Game of Life, in 1860, only months before the American Civil War broke out. Soon after, it produced the Myriopticon A Historical Panorama of the Rebellion, and the Historiscope A...
The postmaster's porcelain : collecting European decorative art in middle America
(University of Missouri--Columbia, 2018)
"This dissertation provides a case study of a type of art collecting that has not received significant scholarly attention, one based on the collecting activity of middleclass Americans living in the Midwestern United States, but who nonetheless...
Painting the wine-dark sea : traveling Aegean fresco artists in the Middle and late Bronze Age Eastern Mediterranean
(University of Missouri--Columbia, 2008)
that the Aegean was well-known for its artistic accomplishments and that Aegean goods and the artisans that produced them were treated as elite commodities. This evidence ties the artisans into a context of royal gift exchange. Since frescoes themselves cannot...