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University of Missouri-Columbia Concert Series, 1983-1984
(University of Missouri--Columbia. School of Music, 1983)
Alvin Ailey American Dance Theater ... February 8, 1983
(University of Missouri--Columbia. School of Music, 1983)
Saint Louis Symphony Orchestra ... Wednesday, March 14, 1984
(University of Missouri--Columbia. School of Music, 1984)
without itself acquiring a national reputation to rival other American orchestras. In the past twenty-five years, however, through an increasingly ambitious schedule of recording, touring, radio broadcasting, and hometown concert life, the Saint Louis...
I Musici with Pina Carmirelli Wednesday, April 25, 1984
(University of Missouri--Columbia. School of Music, 1984)
"The modern concert-goer can recognize the music dating from the approximately one hundred fifty years now known as the Baroque Era (1600-1750) in various ways. The most easily heard clue, perhaps, is the presence of a "general rhythm" created...
Saint Louis Brass Quintet ... Friday, March 2, 1984
(University of Missouri--Columbia. School of Music, 1984)
Pilobolus Dance Theatre ... Wednesday, November 2, 1983
(University of Missouri--Columbia. School of Music, 1983)
Nikolais Dance Theatre ... Monday, November 12, 1984, Jesse Auditorium
(University of Missouri--Columbia. School of Music, 1984)
American string quartet ... Sunday, April 1, 1984
(University of Missouri--Columbia. School of Music, 1984)
"What is understood as the musical style of a master composer is in fact a complicated system of observations. It is circumscribed by many factors--the musical temper of the times, the purpose of the music, the nature of ...
Spectrum, Special Issue (1983-84)
(University of Missouri, University Information Services, 1983)
This special issue of Spectrum highlights the cultural events taking place on each of the four campuses of the University of Missouri during the 1983-84 season....
Czech Philharmonic ... Tuesday, April 3, 1984
(University of Missouri--Columbia. School of Music, 1984)
"MUSICAL NATIONALISM AND DVORAK: Regional and national styles of music and tastes in music have been of ever-present importance in the history of Western fine-art music. The evolution, confrontation, and cross-fertilization ...
Evening at Aldeburgh with Eric Crozier and Nancy Evans ... Fine Arts Recital Hall, Friday, March 9, 1984
(University of Missouri--Columbia. School of Music, 1984)
Deller Consort ... in a program of English and Italian Court Music, 1580-1620 ... Monday, October 31, 1983
(University of Missouri--Columbia. School of Music, 1983)
"In recent years the book trade seems to have been surfeited by a multitude of "how to" books, but in fact it has always been so. Modern readers can rely on either popular or scholarly experts to learn, for example, how ...
Beaux Arts Trio ... Friday, October 21, 1983
(University of Missouri--Columbia. School of Music, 1983)
of the music consumer. The relatively small number of aristocratic connoisseurs who sustained composers in the old order was augmented and overwhelmed by the more robust, if less refined, mass audience with middle-class values that supported concert life...
Atlanta Symphony Orchestra ... Tuesday, March 27, 1984
(University of Missouri--Columbia. School of Music, 1984)
""This elegant and heart-felt sonnet by Edna St. Vincent Millay (1892- 1950) is an American poet's testimony to the penetrating impact of the music of Ludwig van Beethoven (1770-1827). What seems remark- able about the ...
Cleveland Quartet ... Saturday, November 12, 1983
(University of Missouri--Columbia. School of Music, 1983)
"It seems true that the creation of art is often conditioned by the element of competition--or if not blatant competition, by a sense of tradition. Artists do not conceive their works in a vacuum. As the modern French ...
Holiday concert of glorias ... December 2 and 3, 1983
(University of Missouri--Columbia. School of Music, 1983)
"SETTINGS OF THE 'GLORIA' BY BACH, PUCCINI, AND POULENC: For centuries it has been one of the noblest efforts of composers to write music for the Mass. Because of the derivative nature of the Protestant liturgy from the ...
Andre-Michel Schub, piano ... Tuesday, October 25, 1983
(University of Missouri--Columbia. School of Music, 1983)
"The well-known doggerel verse associated with a theme from the Surprise Symphony--"Papa Haydn's dead and gone, but his memory lingers on"--holds more wisdom than many might realize. Joseph Haydn (1732-1809) was indeed the ...
Kammergild Chamber Orchestra ... Monday, October 10, 1983
(University of Missouri--Columbia. School of Music, 1983)
regional mannerisms into universal art. And both possessed a seemingly endless reserve of musical genius presented with a sense of inevitability that defies understanding. ... Tonight's selections provide an opportunity to sample the elegance...
Spectrum, Cultural Events Issue 1984-85
(University of Missouri, University Information Services, 1984)