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No people like #showpeople : Broadway performers' ethnographic social media
(University of Missouri--Columbia, 2015)
The occupational folk group of Broadway musical theater performers uses folklore in public spaces as a kind of representational strategy for the group as a whole. This strategy is significant in representing the group’s ...
Narrative as archive : ethno-historical paratexts in British literature, 1760-1830
(University of Missouri--Columbia, 2015)
Narrative as Archive contributes to the small-but-growing body of scholarship on paratexts -- specifically footnotes -- in imaginative literatures of late-eighteenth- and early-nineteenth-century Britain. I argue that these ...
A cinema of confrontation : using a material-semiotic approach to better account for the history and theorization of 1970s independent American horror
(University of Missouri--Columbia, 2015)
In The Films in My Life, Francois Truffaut describes how "cinematic success" results from a fragile, temporary confluence of elements: the director, the film itself, and its audience, but also critical reception, marketing, ...
Magic for unlucky girls : stories
(University of Missouri--Columbia, 2015)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Magic for Unlucky Girls: Stories is a collection of short stories that weave Western oral and literary folklore influences around women-centered ...
Border crossings, identities, and creative nonfiction : Haitian travel guides and writing about Haiti
(University of Missouri--Columbia, 2015)
In my thesis, I explore the practice of travel writing by examining four separate travel guides. I ask how writing about travel, including my own creative writing about Haiti, interacts with issues of identity, the \"other,\" ...
Like a broken cinema film : rethinking Faulkner's filmic novels
(University of Missouri--Columbia, 2015)
Almost since the movies first started, people have been arguing about how films change the way we think about novels. William Faulkner, while a famous novelist, also spent a lot of time working as a Hollywood screenwriter, ...
Marvelous whirlings : E.E. Cummings' Eimi, Louis Aragon, Ezra Pound, and Krazy Kat
(University of Missouri--Columbia, 2015)
In 1931, poet, painter, individual E.E. Cummings traveled to the USSR. The journal he kept during his travels would be expanded into the book Eimi and published in 1933. Eimi is an ambitious, wild, dense, and experimental ...
And the wood doll arose and told, I'm a real
(University of Missouri--Columbia, 2015)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] "Sphinx Eyes Antiphon," one of the poems in my collection, And the Wood Doll Arose and Told, I'm a Real, refers to a blank or unreciprocal social gaze. ...
Transatlantic geographies of faith in the long eighteenth century
(University of Missouri--Columbia, 2015)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Noting the thousands of books that American colonists imported from the British Isles, scholars have imagined America as a satellite of British literary ...
Rewriting the creative : toward a happenings theory of creative composition & The last monarchist : stories from Nepal
(University of Missouri--Columbia, 2015)
First dissertation: Rewriting the creative: toward a happenings theory of creative composition. This dissertation explores the relationship between composition and creative writing in the light of the binary of rhetoric ...
This way back : essays from Cyprus
(University of Missouri--Columbia, 2015)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This Way Back is a creative dissertation that explores the predicament of the transmigrant, the immigrant who has the capability of returning to the ...
My hands, remembering
(University of Missouri--Columbia, 2015)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Lauren Fath's nonfiction writing uses handicraft as an entree to examining familial history and the inheritance of objects. Each essay in her collection ...
The frontier myth and the frontier thesis in contemporary genre fiction
(University of Missouri--Columbia, 2015)
The aim of this dissertation is to investigate how City of Glass, No Country for Old Men, Do Androids Dream of Electric Sheep?, and Mason & Dixon invoke various aspects of the frontier myth. City of Glass evokes the myth ...
It takes a village: Twentieth Century black women's fiction and the spiritual apprenticeship narrative
(University of Missouri--Columbia, 2015)
This dissertation looks at nine works by contemporary black women writers and argues that the relationships between the major characters in the text reflect and emphasize the importance of mentoring bonds in black communities. ...
Migrations
(University of Missouri--Columbia, 2015)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] "If I had to tell the story in one line or two, I would tell it this way: I loved her and she did not choose me, though I believed she would." At 28, ...
Women beyond allegory : public land, private space and political participation in three African novels
(University of Missouri--Columbia, 2015)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This work explores the intersections of gendered pain, domestic spaces, and political participation in three novels from different African nations in ...
Writing-to-serve : an ethnographic study of a writing-across-the-curriculum approach in a service-learning course
(University of Missouri--Columbia, 2015)
Though Service-Learning and Writing-Across-the-Curriculum are two educational reform movements with similar histories and objectives, the two have for the most part remained separate in higher education. This thesis presents ...