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    Thesis (9)
    SubjectBlake, William, 1757-1827. Milton (2)Antiquities in literature (1)Anxiety in literature (1)Augustine, Saint, Bishop of Hippo -- Confessiones (1)Blake, William, 1757-1827 Criticism and interpretation (1)... View MoreDate Issued2018 (1)2017 (1)2016 (1)2015 (1)2012 (1)Author/ContributorHeringman, Noah (9)Avkhimovich, Irina S. (1)Cope, Jonas (1)Dittmer, Maggie (1)Evelev, John, 1965- (1)... View MoreSubject: Time Period1790-1853 (1)Subject: PlaceGreat Lakes (1)Advisor
    Heringman, Noah (9)
    Evelev, John, 1965- (1)Looser, Devoney (1)Thesis Department
    English (MU) (9)
    Language (ISO)English (9)

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    Lord Byron's critique of despotism and militarism in the Russian Cantos of Don Juan 

    Avkhimovich, Irina S. (University of Missouri--Columbia, 2008)
    In his mock-epic masterpiece Don Juan (1819-1824), Lord Byron dwells on the example of Russia in his discussion of the politics of European imperial powers and their military ambitions. In Cantos VII-VIII, the poem's hero, ...

    Monuments of human antiquity : William Blake's Milton, a poem as a topographical survey of human creativity 

    Sullivan, Thomas E. (University of Missouri--Columbia, 2010)
    This study explores the influences of the eighteenth-century cultural interest in Antiquity on William Blake's illuminated book Milton, a Poem. Beginning with William Stukeley's guidebooks, Stonehenge, A Temple Restor'd ...

    Ancient yet new : William Blake's Milton -- a poem and the politics of antiquarianism 

    Fontana, Thomas (University of Missouri--Columbia, 2011)
    This study explores William Blake's engagement with eighteenth-century antiquarian discourse as a means of critiquing the political and religious institutions of his era. In his shorter epic, Milton--a poem, Blake suggests ...

    The crisis autobiography : Augustine, Rousseau, and Wordsworth 

    Hayes, Tim (Timothy Michael). (University of Missouri--Columbia, 2008)
    This project, which on the broadest level can be defined as a comparative study of Augustine's Confessions, Rousseau's Confessions, and Wordsworth's Prelude, is an attempt to bridge a notable gap in the critical literature. ...

    The dissolution of character in late romantic British literature, 1816-1837 

    Cope, Jonas (University of Missouri--Columbia, 2012)
    This dissertation studies how late romantic British authors, writing primarily in the 1820s and 1830s, renegotiate inherited models of “character” from their high romantic predecessors. The authors in this dissertation all ...

    Nature, materiality, and human agency in the literature of the Great Lakes, 1790-1853 

    Russell, Eric (Eric Matthew) (University of Missouri--Columbia, 2016)
    The dissertation shows that human agency in all its discursive manifestations is a product of entanglement with nature's materiality--its physical objects and forces and this physicality's capacity for change--and this ...

    Narrative as archive : ethno-historical paratexts in British literature, 1760-1830 

    Knezevich, Ruth (University of Missouri--Columbia, 2015)
    Narrative as Archive contributes to the small-but-growing body of scholarship on paratexts -- specifically footnotes -- in imaginative literatures of late-eighteenth- and early-nineteenth-century Britain. I argue that these ...

    World reclamation in Shelley's Prometheus Unbound 

    Dittmer, Maggie (University of Missouri--Columbia, 2018)
    Myth has a fluid function within culture, literature, and time. How myth is interpreted depends upon which element of it inspires or interests a person. The mythical figure of Prometheus has become embedded in the cultural ...

    Portrait of the Calvinist as a young killer: confessions, fanaticism, and satanic horror in Hogg's Justified Sinner 

    Johnson, Zachary (University of Missouri--Columbia, 2017)
    James Hogg's Private Memoirs and Confessions of a Justified Sinner innovated several important novel genres in the Romantic literary era. The novel centers around a young man, Robert Wringhim, who, along with his devilish ...

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