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The children in Shakespeare's plays
(University of Missouri--Columbia, 1917)
Text from page 1: In the study of Shakespeare's plays, the major characters have been considered almost exclusively; the minor characters have been largely neglected or ignored. Highly important among these minor characters ...
Robert Bloomfield (1766-1823)
(University of Missouri--Columbia, 1916)
Text from page ii: The following discussion of the poet, Robert Bloomfield, is divided into four parts: first, a detailed account of the poet's life; second, an account of each of the poet's works, its contents and its ...
Browning and the Florentine Renaissance
(University of Missouri--Columbia, 1917)
There seem to me to be three distinct causes why Florence rather than any of the other city states was the center of the Italian Renaissance. The first of these is that she preserved her popular government long enough to ...
The dramas and prose works of John Rastell
(University of Missouri--Columbia, 1976)
A study of the literary career of John Rastell (1475- 1536), Thomas More's brother-in-law, this dissertation re-evaluates and adds insights to previous scholarly work. Its purposes are to collect and evaluate published and ...
The character of Gawain in English literature
(University of Missouri--Columbia, 1961)
There are thus three basic areas of investigation: Celtic tales and traditions, culminating in the work of Geoffrey of Monmouth; medieval metrical and prose romances, both French and English; and English prose and poetry ...
"To move wild laughter in the throat of death" : an anatomy of Black Humor
(University of Missouri--Columbia, 1975)
This dissertation presents an extended definition of a literary genre that has been labelled "Black Humor" by many contemporary critics. Though the phrase has been used with increasing frequency in the last ten years, it ...
Comic pattern in the novels of Smollett
(University of Missouri--Columbia, 1973)
This dissertation focuses upon the disparity between the bodies of Smollett's novels and their endings. The former is set in a society which historians identify as the "real world" of eighteenth-century London, a world ...
The nature of nothingness in King Lear
(University of Missouri--Columbia, 1974)
"The approach toward life in the sixteenth century was paradoxical. Writers and thinkers struggled with the questions and problems of life; they tried to determine if life had any value, and if it consisted of something. ...
The miracle play : medieval and modern
(University of Missouri--Columbia, 1918)
"The purpose of the present study is to investigate one of these three types,--the miracle play. It is the aim of the thesis to study typical examples of the medieval miracle and the entire list, so far as possible, of ...
Frost and Thoreau : a study in affinities
(University of Missouri--Columbia, 1968)
Although a few critics have posited Henry David Thoreau as a conscious influence on Robert Frost, the purpose of this study is to demonstrate a significant set of affinities in the thought and attitudes of the two men. For ...
The Old English Herbal in Cotton Ms. Vitellius C. iii : studies
(University of Missouri--Columbia, 1973)
Even for experts in the field, early English medicine seems to present difficulties. For the uninitiated, it is a trackless jungle...the field of medical and other scientific vernacular manuscripts is still a Yukon territory ...
Interpreters of Chicago : a study in American regionalism
(University of Missouri--Columbia, 1932)
The second discovery of America came when the writers discovered the interesting elements in the varied communities which made each of them unique. A like discovery had been made in England years before by George Eliot, ...
The other side of the window : an essay on structural iconography in English and American fiction
(University of Missouri--Columbia, 1978)
The purpose of this dissertation is to investigate the structural and symbolic function of the window as a major motif in certain works of nineteenth- and twentieth-century English and American fiction. Within this body ...
Sir Philip Sidney : contrasting views on the value and morality of rhetoric and poetry
(University of Missouri--Columbia, 1978)
Sidney’s attitude toward rhetoric passes through three rather distinct stages. At first, he is quite positive toward it, treats it with respect, and, what is perhaps even more important, with enthusiasm. His attitude toward ...
Clyomon and Clamydes a critical edition
(University of Missouri--Columbia., 1962)
"Sir Clyomon and Sir Clamydes (Greg, Bibliography, no. 157) was printed by Thomas Creede in 1599--the same year he printed the second quarto of Romeo and Juliet and Greene's Alphonsus, King of Aragon. Like Creede's other ...
The pleasure-pain motif in the poetry of John Keats
(University of Missouri--Columbia, 1972)
This study is intended to show that one of the commonly noted motifs in the poetry of Keats is also a feature of considerable importance. The swift interchange of pleasure and pain or the ability of the poet to be happy ...
A study of the early Tudor comedies
(University of Missouri--Columbia, 1965)
"After centuries of theatrical entertainment that consisted of miracle plays, mysteries, folk plays, festival plays, interludes, pageants, moralities, banns, tilts, disguisings, entertainments, masks, and mummings, there ...
The speaker in the major poems of William Cowper
(University of Missouri--Columbia, 1968)
"The fate of William Cowper as poet may very well turn out to be analogous to what threatened to be the fate of Samuel Johnson: the history of the man will become more important than his literary achievement. Of course the ...
Frederick Buechner : an introduction
(University of Missouri--Columbia, 1987)
American writer Frederick Buechner has published, since 1950, eleven novels and ten major works of non-fiction. The critical reception of Buechner’s work has been generally problematic; his work has been undervalued, at ...
Tudor prose satire : the dynamics of a visual mode
(University of Missouri--Columbia, 1975)
"Peter Bruegel’s Dulle Griet (”Mad Meg”) is a collage of feverish movement replete with monstrous figures, absurd concoctions, and soberly aggressive peasant women. A besieged village forms the lower half of the setting ...