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English social drama of 1600 and 1900
(University of Missouri--Columbia, 1915)
Social drama is that type of drama which has for its theme a problem touching the interests of society at large, or a great part of that society. It deals with social conditions and with problems involving the social ...
English bourgeois tragedy from 1576 to 1642
(University of Missouri--Columbia, 1915)
What is English bourgeois tragedy? What forces produced it, and what is its significance in the first great period of English drama? It is the purpose of this dissertation to answer these questions by a detailed study of ...
A comparative study of the verse rhetoric of Layamon's Brut and Beowulf
(University of Missouri--Columbia, 1915)
This thesis compares Layamon's Brut with Beowulf to examine poetic inheritance and style. Previous studies emphasizing similarities of language and meter, without definite tests of verse rhetoric, may lead to the false ...
John Horne Burns : Toward a Critical Biography
(University of Missouri--Columbia, 1985)
The dissertation traces John Horne Burns's life and career as a novelist and English teacher, from his origins in Andover through his literary success with The Gallery (1947), Lucifer with a Book (1949), and A Cry of ...
The children in Shakespeare's plays
(University of Missouri--Columbia, 1917)
Text from page 1: In the study of Shakespeare's plays, the major characters have been considered almost exclusively; the minor characters have been largely neglected or ignored. Highly important among these minor characters ...
Robert Bloomfield (1766-1823)
(University of Missouri--Columbia, 1916)
Text from page ii: The following discussion of the poet, Robert Bloomfield, is divided into four parts: first, a detailed account of the poet's life; second, an account of each of the poet's works, its contents and its ...
Browning and the Florentine Renaissance
(University of Missouri--Columbia, 1917)
There seem to me to be three distinct causes why Florence rather than any of the other city states was the center of the Italian Renaissance. The first of these is that she preserved her popular government long enough to ...
Concretes and abstracts in the Old English epic Beowulf
(University of Missouri--Columbia, 1916)
That poem may surely be said to be abstract in character in which the motive is more real than the deed, in which the thoughts of a man's heart are given more dramatic prominence than the facts of his appearance, in which ...
The structural quality of tone-color in Paradise lost
(University of Missouri--Columbia, 1915)
This paper attempts to show to what extent the various manifestations of tone-color in Paradise Lost have compensated for the absence of rhyme. A chapter is devoted to the assimilative office of tone-color in the poem, ...
The dramas and prose works of John Rastell
(University of Missouri--Columbia, 1976)
A study of the literary career of John Rastell (1475- 1536), Thomas More's brother-in-law, this dissertation re-evaluates and adds insights to previous scholarly work. Its purposes are to collect and evaluate published and ...
The character of Gawain in English literature
(University of Missouri--Columbia, 1961)
There are thus three basic areas of investigation: Celtic tales and traditions, culminating in the work of Geoffrey of Monmouth; medieval metrical and prose romances, both French and English; and English prose and poetry ...
"To move wild laughter in the throat of death" : an anatomy of Black Humor
(University of Missouri--Columbia, 1975)
This dissertation presents an extended definition of a literary genre that has been labelled "Black Humor" by many contemporary critics. Though the phrase has been used with increasing frequency in the last ten years, it ...
Comic pattern in the novels of Smollett
(University of Missouri--Columbia, 1973)
This dissertation focuses upon the disparity between the bodies of Smollett's novels and their endings. The former is set in a society which historians identify as the "real world" of eighteenth-century London, a world ...
The nature of nothingness in King Lear
(University of Missouri--Columbia, 1974)
"The approach toward life in the sixteenth century was paradoxical. Writers and thinkers struggled with the questions and problems of life; they tried to determine if life had any value, and if it consisted of something. ...
The miracle play : medieval and modern
(University of Missouri--Columbia, 1918)
"The purpose of the present study is to investigate one of these three types,--the miracle play. It is the aim of the thesis to study typical examples of the medieval miracle and the entire list, so far as possible, of ...
Frost and Thoreau : a study in affinities
(University of Missouri--Columbia, 1968)
Although a few critics have posited Henry David Thoreau as a conscious influence on Robert Frost, the purpose of this study is to demonstrate a significant set of affinities in the thought and attitudes of the two men. For ...
The Old English Herbal in Cotton Ms. Vitellius C. iii : studies
(University of Missouri--Columbia, 1973)
Even for experts in the field, early English medicine seems to present difficulties. For the uninitiated, it is a trackless jungle...the field of medical and other scientific vernacular manuscripts is still a Yukon territory ...
Interpreters of Chicago : a study in American regionalism
(University of Missouri--Columbia, 1932)
The second discovery of America came when the writers discovered the interesting elements in the varied communities which made each of them unique. A like discovery had been made in England years before by George Eliot, ...
The other side of the window : an essay on structural iconography in English and American fiction
(University of Missouri--Columbia, 1978)
The purpose of this dissertation is to investigate the structural and symbolic function of the window as a major motif in certain works of nineteenth- and twentieth-century English and American fiction. Within this body ...
Sir Philip Sidney : contrasting views on the value and morality of rhetoric and poetry
(University of Missouri--Columbia, 1978)
Sidney’s attitude toward rhetoric passes through three rather distinct stages. At first, he is quite positive toward it, treats it with respect, and, what is perhaps even more important, with enthusiasm. His attitude toward ...