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Canon
(University of Missouri--Columbia, 2019)
The Critical Introduction, titled "James Merrill's Queer Muse," uses Queer Theory to analyze Merrill's creative process when writing The Changing Light at Sandover. It argues that Merrill queers the heteronormative orientation ...
Escalations : stories
(University of Missouri--Columbia, 2017)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] The stories in "Escalations" cover a range of formal and dramatic content and operate on a sliding scale with regards to realism and surrealism: a woman ...
No people like #showpeople : Broadway performers' ethnographic social media
(University of Missouri--Columbia, 2015)
The occupational folk group of Broadway musical theater performers uses folklore in public spaces as a kind of representational strategy for the group as a whole. This strategy is significant in representing the group’s ...
Policing the boundaries of whiteness : monsters made in the USA
(University of Missouri--Columbia, 2019)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This dissertation explores institutionalized racism in American culture that signifies through the Reconstruction era Klansman, the folklore of the ...
Of the burning
(University of Missouri--Columbia, 2018)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] "Of the Burning" is a hybrid collection of nonfiction essays and sermon-poems. The narrative threads weaved through the collection include original ...
Leavetakings
(University of Missouri--Columbia, 2018)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This dissertation is a collection of lyric essays about northern sorrows and friendships. These are preceded by a Critical Introduction which offers a ...
The pagan's progress, or, the invention of pilgrimage
(University of Missouri--Columbia, 2018)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This book examines religious travel in contemporary Paganism in three long-form creative essays. It looks at space, place, and travel within the modern ...
Into the forest: reading trees in nineteenth-century American literature
(University of Missouri--Columbia, 2018)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Nineteenth-century American nature writing considers nature from the multiple perspectives of the antebellum, Civil War, and Reconstruction landscapes. ...
The imaginary age : poetry
(University of Missouri--Columbia, 2018)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] My dissertation includes a critical introduction and a manuscript of poetry. The critical introduction, "There was no warm body in what you wrote": ...
Big gorgeous jazz machine
(University of Missouri--Columbia, 2018)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This manuscript considers the influence of twentieth-century avant-garde literature and painting in contemporary art comics, particularly the growing ...
Time, the river, and the mountain : ecology and technology in Finnegans Wake
(University of Missouri--Columbia, 2019)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This paper broadly investigates Finnegans Wake's resonance with ecological and environmental themes. It reads the motif of recirculation in the novel ...
Worried notes : poems
(University of Missouri--Columbia, 2019)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] The creative portion of this dissertation, Worried Notes: Poems, is a collection that engages the American vernacular-song tradition and specifically ...
Seeing through satire : how contemporary American fiction critiques the world
(University of Missouri--Columbia, 2018)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] In this dissertation, I argue some contemporary authors intermingle modes of satire and transparency to encourage a twenty-first century reading ...
Bottle fly : poems
(University of Missouri--Columbia, 2019)
The critical introduction: "Improbable Florida" : Imperialism, Surrealist Tradition, and Gay and Lesbian Identity in Rimbaud’s “Drunken Boat” and Bishop’s “The Riverman” is a close-reading of those two poems through a ...
Brain catalogue
(University of Missouri--Columbia, 2019)
Brain Catalogue is a creative dissertation that combines comics and nonfiction. Specifically, it deals with the type of nonfiction often called the essay. It is an experimental autobiography that is broken down across four ...
Domesticating the citizen : household authority, the merchant class family and the early modern stage
(University of Missouri--Columbia, 2007)
The family in London of the seventeenth century resided at the intersection of practices heard from the pulpit and of generic forms those listeners might see in the theaters. Upon both of these ideals lie the inevitable ...
Reconstructing gender, personal narrative, and performance at the Michigan Womyn's Music Festival
(University of Missouri--Columbia, 2008)
This ethnographic study examines the Michigan Womyn's Music Festival, a thirty-two-year-old, week-long event that features women performers and relies on an all female staff who produce the event for an audience of women ...
Fore ðære mærðe mod astige: two new perspectives on the Old English Gifts of men
(University of Missouri--Columbia, 2008)
The Old English poem The Gifts of Men has received little attention in contemporary scholarship, and when it has been referenced in recent decades, the primary trend has been to comment on its unique structure and position ...
Breathing in the other : enthusiasm and the sublime in eighteenth-century Britain
(University of Missouri--Columbia, 2008)
This project assesses enthusiasm and the sublime as important eighteenth-century phenomena for establishing the limits and bases of reason and polite discourse. My research focuses eighteenth-century and current sources ...
The medieval English begging poem
(University of Missouri--Columbia, 2008)
Since the only consistent feature of medieval English begging poems is the fact that they beg, usually for funds due, the form cannot quite be considered a genre. However, the relationships between poets and patrons that ...