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Philanthropic tourism and artistic authenticity : cultural empathy and the western consumption of Kyrgyz art
(University of Missouri--Columbia, 2010)
My dissertation offers a culturally-based examination of the aid-driven western marketplace for Central Asian crafts based on detailed textual and visual analysis of websites, film, online and print catalogues, and comics ...
Adaptation : re-creating the novel as a stage play
(University of Missouri--Columbia, 2010)
The critical introduction examines Linda Hutcheon's notion that the process of adaptation is worthy of observation, and that in analyzing a novelist adapting her own work for the stage, we begin to see how the interiority ...
Somatic subjects : the pathological path to Victorian womanhood
(University of Missouri--Columbia, 2012)
This project explores the role of disease in narratives of female development throughout the nineteenth century, primarily British women's novels. Specifically, I analyze the ways in which female subjectivities are formed ...
Comic relief
(University of Missouri, College of Arts and Sciences, 2013)
This original play focuses on the character of Jaime who goes on a journey of self-discovery as she pursues her dream of being a standup comedian.
Terrorism and spectacle in White noise and Mao II
(University of Missouri, College of Arts and Sciences, 2013)
This essay analyzes Don DeLillo's White Noise and Mao II in order to demonstrate a progression of his view of the role of the critic in postmodern society. In White Noise, DeLillo conveys his view of the postmodern condition ...
How to write like Tina and Mindy: constructing persona in female celebrity memoir
(University of Missouri--Columbia, 2013)
The primary goal for this project was to demonstrate that celebrity memoir, specifically female comedian memoir, examines the self in a similar manner as memoirs traditionally studied in creative nonfiction. Tina Fey's ...
We have such a normal, non-accented voice : a sociophonetic study of English in Kansas City
(University of Missouri--Columbia, 2014)
A popular myth of American English is that, due to the influence of national media and increased inter-connectivity, regional dialects are disappearing. In fact, linguistic research has shown that, in many ways, Americans ...
The humanity of inaction: a comparison of Kazuo Ishiguro's Never let me go with Michael Bay's The island
(University of Missouri, College of Arts and Sciences, 2013)
One of the most common reader responses to Kazuo Ishiguro's Never Let Me Go has been to question the passivity of the clones, claiming that this inaction reveals a lack of humanity in characters who are otherwise presented ...
Melodrama's afterlife : Jane Eyre, David Copperfield, and The Woman in White from the Victorian stage to the silent screen
(University of Missouri--Columbia, 2010)
Unique in building a much-needed bridge between fiction, theatre, and film, "Melodrama's Afterlife" proves that writers working in all three genres throughout the long Victorian era engaged in a reciprocal relationship ...
In the permanent collection : poems
(University of Missouri--Columbia, 2010)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] In the Permanent Collection is a collection of lyric poetry that turns a careful and sometimes ironic eye to high and low art -- from modern abstract ...
Pleasure reading: Playboy's literary fiction
(University of Missouri--Columbia, 2013)
This thesis analyzes short literary fiction published in Playboy magazine for the first two decades after its 1953 inception. Although Hugh Hefner's magazine was best known for its nude pictorials, its editorial mix also ...
Deadbeat dad: Victor Frankenstein as the failed father
(University of Missouri, College of Arts and Sciences, 2013)
In Mary Shelley's novel Frankenstein (1831), protagonist Victor Frankenstein and his relationship to the creature have often been characterized in terms of creator and creation, with Victor trying to usurp women's procreative ...
Toward a new critical materialist rhetorical methodology : ideographic tracking of family values from eugenics to neoliberalism
(University of Missouri--Columbia, 2014)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Tracing <family values> as a central ideograph, this study offers a methodological innovation that engages both material/nonhuman and symbolic/human ...
Intersections of genre and mode : authenticity, fragility, and identification in Wordsworth's Lyrical Ballads (1800)
(University of Missouri--Columbia, 2014)
Global justice buzz : the visual rhetoric of the Beehive Design Collective
(University of Missouri--Columbia, 2014)
Letting off steam : neo-imperial anxieties in postcolonial steampunk literature, aesthetics, and performance
(University of Missouri--Columbia, 2014)
Fractured folk : surfing for folklore frameworks in the face of science, cyber-anxieties and the techno-apocalypse
(University of Missouri--Columbia, 2012)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] The framework of this thesis breaks down a few specific examples of select paradigm shifts that occur when traditional models of folklore studies are ...
Private devotion, common prayer, and the British novel, 1700-1815
(University of Missouri--Columbia, 2013)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Despite the cultural, social, and political influence of the established church in Britain during the eighteenth century, existing scholarship on the ...
Style and structure, politics, and preaching : the lives of saints and other alliterative works by Ælfric of Eynsham
(University of Missouri--Columbia, 2013)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This dissertation centers on selected works of the late Anglo-Saxon author Ælfric of Eynsham. The purpose of the project is to refine our understanding ...
Yeoman justice :the Robin Hood ballads and the appropriation of aristocratic and clerical justice
(University of Missouri--Columbia, 2013)
Robin Hood and the Monk, Robin Hood and the Potter, A Gest of Robyn Hode, and Robin Hood and the Guy of Guisborne. I argue the Robin Hood texts critique common medieval conceptions of justice by creating new ones through ...