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Now showing items 21-40 of 291
Private devotion, common prayer, and the British novel, 1700-1815
(University of Missouri--Columbia, 2013)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Despite the cultural, social, and political influence of the established church in Britain during the eighteenth century, existing scholarship on the ...
Intersections of genre and mode : authenticity, fragility, and identification in Wordsworth's lyrical ballads (1800)
(University of Missouri--Columbia, 2014)
Letting off steam : neo-imperial anxieties in postcolonial steampunk literature, aesthetics, and performance
(University of Missouri--Columbia, 2014)
Toward a new critical materialist rhetorical methodology : ideographic tracking of family values from eugenics to neoliberalism
([University of Missouri--Columbia], 2014)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Tracing <family values> as a central ideograph, this study offers a methodological innovation that engages both material/nonhuman and symbolic/human ...
Return to sender : epistolarity in Chaucer's Legend of good women
(University of Missouri--Columbia[University of Missouri--Columbia], 2014)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] In Chaucer's Legend of Good Women, the narrator adapts several tales from Ovid's Heroides and at the end of these tales points to letters that the ...
"If you don't laugh you'll cry": the occupational humor of white American prison workers and social workers
(University of Missouri--Columbia, 2013)
Through original fieldwork, this dissertation compares narrative occupational humor of white American social workers to that of white American prison workers, concluding that both occupational groups use humor, both performed ...
Great Britain and Latin America: the Romantics and the informal empire
(University of Missouri--Columbia, 2013)
This study examines the cross-influences of Great Britain and Latin America in the Romantic epoch. The study argues that the reflexively imperialist notions and self-assured superiority of the British were slowly being ...
Pleasure reading: Playboy's literary fiction
(University of Missouri--Columbia, 2013)
This thesis analyzes short literary fiction published in Playboy magazine for the first two decades after its 1953 inception. Although Hugh Hefner's magazine was best known for its nude pictorials, its editorial mix also ...
The humanity of inaction: a comparison of Kazuo Ishiguro's Never let me go with Michael Bay's The island
(2013)
One of the most common reader responses to Kazuo Ishiguro's Never Let Me Go has been to question the passivity of the clones, claiming that this inaction reveals a lack of humanity in characters who are otherwise presented ...
Melodrama's afterlife: Jane Eyre, David Copperfield, and The Woman in White from the Victorian stage to the silent screen
(University of Missouri--Columbia, 2010)
Unique in building a much-needed bridge between fiction, theatre, and film, "Melodrama's Afterlife" proves that writers working in all three genres throughout the long Victorian era engaged in a reciprocal relationship ...
In the permanent collection : poems
(University of Missouri--Columbia, 2010)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] In the Permanent Collection is a collection of lyric poetry that turns a careful and sometimes ironic eye to high and low art -- from modern abstract ...
Deadbeat dad: Victor Frankenstein as the failed father
(2013)
In Mary Shelley's novel Frankenstein (1831), protagonist Victor Frankenstein and his relationship to the creature have often been characterized in terms of creator and creation, with Victor trying to usurp women's procreative ...
Global justice buzz : the visual rhetoric of the Beehive Design Collective
(University of Missouri--Columbia, 2014)
Sexless faces, abnormal bodies, and white trash girls: grotesque women in southern Gothic literature
(2013)
By exploring and breaking down traditional gender roles through Miss Amelia's androgyny in The Ballad of the Sad Cafe, McCullers shows the ironclad nature of gender binaries and the inconsistency of gender perception in ...
The Heart Can Thirst Because Obsession is a More Country: Poems and Lacemakers: Poems
([University of Missouri--Columbia], 2014)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] In the critical introduction, I consider Claudia Rankine's innovative Don't Let Me Be Lonely from a New Media studies framework. While subtitled an ...
Somatic subjects: the pathological path to Victorian womanhood
(University of Missouri--Columbia, 2012)
This project explores the role of disease in narratives of female development throughout the nineteenth century, primarily British women's novels. Specifically, I analyze the ways in which female subjectivities are formed ...
Style and structure, politics, and preaching : the lives of saints and other alliterative works by Ælfric of Eynsham
(University of Missouri--Columbia, 2013)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This dissertation centers on selected works of the late Anglo-Saxon author Ælfric of Eynsham. The purpose of the project is to refine our understanding ...
Yeoman justice :the Robin Hood ballads and the appropriation of aristocratic and clerical justice
(University of Missouri--Columbia, 2013)
Robin Hood and the Monk, Robin Hood and the Potter, A Gest of Robyn Hode, and Robin Hood and the Guy of Guisborne. I argue the Robin Hood texts critique common medieval conceptions of justice by creating new ones through ...
Comic relief
(2013)
This original play focuses on the character of Jaime who goes on a journey of self-discovery as she pursues her dream of being a standup comedian.
Terrorism and spectacle in White noise and Mao II
(2013)
This essay analyzes Don DeLillo's White Noise and Mao II in order to demonstrate a progression of his view of the role of the critic in postmodern society. In White Noise, DeLillo conveys his view of the postmodern condition ...