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Now showing items 21-34 of 34
Staging The Merchant of Venice in the 21ˢᵗ Century: A Dramaturgical Case Study
(2015-08-12)
“Staging The Merchant of Venice in the 21ˢᵗ Century: A Dramaturgical Case Study”
aims to document the Heart of America Shakespeare Festival’s 2015 production of The
Merchant of Venice by framing it within the historical ...
Theatre for Young America: A History
(2015-05-19)
In the spring of 1974, a family of actors has recently landed in Kansas City,
Missouri. Father, Gene Mackey, is working for one of the areas four professional dinner
theatres and has been authorized by his employer to ...
Expanding Theatre: Directing Approaches from Contemporary Chilean Women Directors
(2020)
This thesis examines the careers, theatrical ideologies, and directing methodologies of three contemporary Chilean women stage directors: Andrea Giadach, Alexandra von Hummel, and Ignacia González. Respective chapters ...
Emerging from the Ground: The Meaning of Messiah in August Wilson’s Pittsburgh Cycle
(2013)
Pittsburgh playwright and poet August Wilson wrote a series of ten plays in which each play
is set in a different decade of the twentieth century. This series of plays is often referred to as the
Pittsburgh Cycle. The ...
No Way Out: Violence in Selected American Expressionist Plays
(University of Missouri--Kansas City, 2017)
This thesis discusses the American expressionist plays of the 1920s and the acts of
violence that occur in several of them. The expressionist plays of Eugene O’Neill, Elmer Rice,
Sophie Treadwell, and Susan Glaspell ...
Setting the Stage for Kansas City talent and Diversity The KC Meltingpot Theatre
(2015)
This thesis aims to chronicle the origins of The KC MeltingPot Theatre Company, owned and operated by Kansas City area couple Harvey and Linda Williams. The primary focus will be on the works produced by The KC MeltingPot ...
The show-man goes to war: a full-length play
(2013)
This project is intended to educate and entertain audiences by presenting them with a
creative interpretation of war-time resistance. Using the city of Arnhem, located in the
Netherlands, as the location for the play, ...
Nashville Community Theatre: from the Little Theatre Guild to the Nashville Community Playhouse
(University of Missouri--Kansas City, 2012-04-26)
In the early 20th century the Little Theatre Movement swept through the United
States. Theatre enthusiasts in cities and towns across the country sought to raise the
standards of theatrical productions by creating quality ...
The changing face of Joan of Arc: the appropriation of Joan of Arc in twentieth-century American theatre
(University of Missouri--Kansas City, 2012-08-24)
The Changing Face of Joan of Arc: The Appropriation of Joan of Arc in Twentieth-century American Theatre shows that the evolution of Joan of Arc's image reflected the culture of each era, and illustrated the changing social ...
Getting to Know Rodgers and Hammerstein: Education and Adaptation in 21st-century performance
(2020)
Richard Rodgers and Oscar Hammerstein II forever changed the face of American musical theatre when Oklahoma! opened on Broadway in 1943. This collaboration is often cited by historians as the first fully-integrated book ...
Redating Pericles: A Re-examination of Shakespeare’s Pericles as an Elizabethan Play
(2015)
Pericles's apparent inferiority to Shakespeare’s mature works raises many questions for
scholars. Was Shakespeare collaborating with an inferior playwright or playwrights? Did he
allow so many corrupt printed versions ...
(In)Visible: performances of gay and lesbian dramatic literature on the American stage from 1910 to 1969
(University of Missouri--Kansas City, 2012-05-01)
of the English-speaking, American stage debut. With specific reference to the initiation of the Gay Liberation Movement in 1969, the analyses of plays illustrates the ways in which American homosexuals achieved visibility through performance art and were, thus...
The Deputy
(2021)
of 1994, The Missouri Repertory Theatre, at the direction of George Keathley, staged a production of its own adaptation from the same American translation. The differences between these two adaptations are many. This is the focus of my thesis. I do...
Joanna Baillie: The Theory in Her Plays on the Passions and an Analysis of Four Dramas Within that Series
(University of Missouri--Kansas City, 2010)
This thesis examines the theatre theory as outlined by Joanna Baillie in the Introductory Discourse to her Series of Plays in Which it is Attempted to Delineate the Stronger Passions of the Mind: Each Passion Being the ...