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Now showing items 41-60 of 365
Katrina's other disaster : examining second disaster literature and placing post-Katrina New Orleans
(University of Missouri--Columbia, 2014)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This thesis examines the literary treatment of the time period following major natural and manmade disasters known as the "second disaster," which this ...
Rewriting a shared past : gender, genre, and Scotland's cultural memory
(University of Missouri--Columbia, 2011)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Scotland is well known for its contrived cultural history. The efforts of many in the late-eighteenth and early-nineteenth century to manufacture its ...
The English sonnet from Wyatt to Milton
(University of Missouri--Columbia, 1904)
In 1557 there was published in London a little volume hardly known to students of English Literature by the name it then bore, but familiarly known from the name of the publisher as Tottel's Miscellany. This book was a new ...
Talking back: the role of poets and poems in literary conversation
(University of Missouri, College of Arts and Sciences, 2016)
Concluding paragraph: "In discovering the expansive history of poetic conversation and poetic influence, the question of authenticity now seems irrelevant. Authenticity may now be described as the extent to which a poem ...
"Immortal Harps": Milton and musical morality in Handel's Samson
(University of Missouri, College of Arts and Sciences, 2016)
Concluding paragraphs: "If Handel's contemporary James Harris is correct in observing that music and poetry "can never be so powerful singly, as when they are properly united," (152) and that Handel's "Genius ... being ...
This way back : essays from Cyprus
(University of Missouri--Columbia, 2015)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This Way Back is a creative dissertation that explores the predicament of the transmigrant, the immigrant who has the capability of returning to the ...
From the Bible to Harry Potter : Updating an ancient myth into modern fantasy
(University of Missouri, College of Arts and Sciences, 2016)
The frontier myth and the frontier thesis in contemporary genre fiction
(University of Missouri--Columbia, 2015)
The aim of this dissertation is to investigate how City of Glass, No Country for Old Men, Do Androids Dream of Electric Sheep?, and Mason & Dixon invoke various aspects of the frontier myth. City of Glass evokes the myth ...
My hands, remembering
(University of Missouri--Columbia, 2015)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Lauren Fath's nonfiction writing uses handicraft as an entree to examining familial history and the inheritance of objects. Each essay in her collection ...
Rewriting the creative : toward a happenings theory of creative composition & The last monarchist : stories from Nepal
(University of Missouri--Columbia, 2015)
First dissertation: Rewriting the creative: toward a happenings theory of creative composition. This dissertation explores the relationship between composition and creative writing in the light of the binary of rhetoric ...
The Cold War and Agency Panic in The Bell Jar and "Three Women"
(University of Missouri, College of Arts and Sciences, 2016)
Concluding paragraph: "Sylvia Plath's The Bell Jar and "Three Women" show that politics influenced Plath's writing process in both direct and subtle ways. Combining the personal with the political in these works, Plath ...
Prop rockery
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Prop Rockery is a collection of poems in three sections. This collection is interested in two modes of poetic voice - a more brazen, maximalist mode ...
Still life with rooms people live in
(University of Missouri--Columbia, 2008)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] The following is a collection of poems about the transience of the human world, poems which combine an elegiac embracing of our own insignificance and ...
Beginning's ends : new senses of ending and the eighteenth-century novel
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This dissertation argues that an examination of innovative endings in both canonized and forgotten eighteenth-century prose fiction contributes to our ...
Two works in creative non-fiction: The Marine wife and Novosibirsk
(University of Missouri, College of Arts and Sciences, 2011)
The two memoirs in my thesis universalize personal experience by linking it to larger historical events (war or the fall of the Soviet Union), and illuminate the historical through the lens of intimate life. The first piece ...
Influence: the linked stories of Olive Kitteridge and developing creative work
(University of Missouri, College of Arts and Sciences, 2011)
This collection of stories stemmed from reading Harold Bloom's The Anxiety of Influence. For this project, I chose to “misread” Olive Kitteridge, a Pulitzer Prize winning novel by Elizabeth Strout. Strout's novel is a ...
Making Pierre Menard author of the Quixote: critics, creators, and context in Borges
(University of Missouri, College of Arts and Sciences, 2011)
Though it has not always been so, it is now possible to conceptualize the act of reading as a process in which we necessarily form an interpretation of a piece of literature, and in so doing, create the work, or the meaning ...
The relevance and controversy of Dorothy Parker's works
(University of Missouri, College of Arts and Sciences, 2011)
Dorothy Parker -- writer, poet, satirist, journalist -- was in her literary prime in 1920s and 30s America. America at the time was faced with considerable tensions, much of which was due to the burgeoning Women's Movement. ...
Adaptation : re-creating the novel as a stage play
(University of Missouri--Columbia, 2010)
The critical introduction examines Linda Hutcheon's notion that the process of adaptation is worthy of observation, and that in analyzing a novelist adapting her own work for the stage, we begin to see how the interiority ...
Value and exchange in Hemingway's The sun also rises
(University of Missouri, College of Arts and Sciences, 2011)
The characters in The Sun Also Rises follow a code of exchange instead of a traditional moral code. This emphasis on exchange matches the new found booming economy of the 1920s. Characters follow this code of exchange ...