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Now showing items 61-80 of 92
Under skin: a critical essay of gender and the travel narrative
(University of Missouri, College of Arts and Sciences, 2013)
There is a line between fact and parable, and the greatest writers of travel have unabashedly and purposefully ignored it in search of the subtle poetry just beneath the surface. This collection of non-fiction essays is ...
How to write like Tina and Mindy: constructing persona in female celebrity memoir
(University of Missouri--Columbia, 2013)
The primary goal for this project was to demonstrate that celebrity memoir, specifically female comedian memoir, examines the self in a similar manner as memoirs traditionally studied in creative nonfiction. Tina Fey's ...
Race, gender, and the limits of physicality in Ourika and Quicksand
(University of Missouri, College of Arts and Sciences, 2013)
A comparison of Claire de Duras's Ourika and Nella Larsen's Quicksand may at first seem puzzling to those familiar with the differing social and historical contexts of the two works. While it may be tempting to read Ourika ...
This hour is mine : a novel
(University of Missouri--Columbia, 2013)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This creative dissertation is in the form of a novel that explores the contemporary form of the Gothic novel. The classic Gothic novel used haunted ...
Sexless faces, abnormal bodies, and white trash girls: grotesque women in southern Gothic literature
(University of Missouri, College of Arts and Sciences, 2013)
By exploring and breaking down traditional gender roles through Miss Amelia's androgyny in The Ballad of the Sad Cafe, McCullers shows the ironclad nature of gender binaries and the inconsistency of gender perception in ...
Manufacturing a personage: photography and American literary celebrity, 1839-1860
(University of Missouri--Columbia, 2013)
The purpose of this thesis is to investigate the ways in which the daguerreotype influenced literary celebrity in the United States from the time of its invention in 1839 to the beginning of the Civil War in 1860. The ...
Comic relief
(University of Missouri, College of Arts and Sciences, 2013)
This original play focuses on the character of Jaime who goes on a journey of self-discovery as she pursues her dream of being a standup comedian.
Terrorism and spectacle in White noise and Mao II
(University of Missouri, College of Arts and Sciences, 2013)
This essay analyzes Don DeLillo's White Noise and Mao II in order to demonstrate a progression of his view of the role of the critic in postmodern society. In White Noise, DeLillo conveys his view of the postmodern condition ...
The moat
(University of Missouri--Columbia, 2013)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] The Moat is a short story collection unified through themes of the hidden, the underground, and the interior, both bodily and geographic. In my work, ...
Film in post-World War II American fiction
(University of Missouri--Columbia, 2012)
This dissertation is an exercise in intertextual analysis and an effort toward historicizing film referentiality in American fiction. It focuses on four novels, Walker Percy's The Moviegoer, Thomas Pynchon's Gravity's ...
Triptych : essays of place and travel
(University of Missouri--Columbia, 2012)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] The critical introduction outlines three perspectives on place identified by Robert Root--the insider, the outsider, and the traveler with a lens text. ...
Style and structure, politics, and preaching : the lives of saints and other alliterative works by Ælfric of Eynsham
(University of Missouri--Columbia, 2013)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This dissertation centers on selected works of the late Anglo-Saxon author Ælfric of Eynsham. The purpose of the project is to refine our understanding ...
Yeoman justice :the Robin Hood ballads and the appropriation of aristocratic and clerical justice
(University of Missouri--Columbia, 2013)
Robin Hood and the Monk, Robin Hood and the Potter, A Gest of Robyn Hode, and Robin Hood and the Guy of Guisborne. I argue the Robin Hood texts critique common medieval conceptions of justice by creating new ones through ...
Border crossings : contemporary transnational literature across media and genre and Remind me again what happened : a novel
(University of Missouri--Columbia, 2012)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Remind Me Again What Happened is a novel told through three characters' perspectives, one of whom suffers from memory loss. By exploring the individual ...
Pulled out of the land: the poetry of Seamus Heaney and its usage of the past
(University of Missouri, College of Arts and Sciences, 2013)
The culture someone grows up in helps to define that person, for better or for worse. This culture steeps itself into the writer's work, and helps make the writer into who he or she is. For Seamus Heaney, this steeping was ...
"If you don't laugh you'll cry": the occupational humor of white American prison workers and social workers
(University of Missouri--Columbia, 2013)
Through original fieldwork, this dissertation compares narrative occupational humor of white American social workers to that of white American prison workers, concluding that both occupational groups use humor, both performed ...
Passing figures
(University of Missouri--Columbia, 2012)
This creative dissertation is an original work in the genre of memoir. It is a mixed-form memoir, comprised of prose and verse. The memoir contains ten essays that are loosely linked by theme, chronology, or event. ...
Writing to feel / feeling to write : utilizing emotion theory and performance studies in creative writing pedagogy
(University of Missouri--Columbia, 2012)
Although undergraduate creative writing courses routinely ask students to create “emotionally complex” characters, engage peers in the emotionally charged experience of workshopping, and scrutinize their personal investments ...
Somatic subjects : the pathological path to Victorian womanhood
(University of Missouri--Columbia, 2012)
This project explores the role of disease in narratives of female development throughout the nineteenth century, primarily British women's novels. Specifically, I analyze the ways in which female subjectivities are formed ...
Great Britain and Latin America: the Romantics and the informal empire
(University of Missouri--Columbia, 2013)
This study examines the cross-influences of Great Britain and Latin America in the Romantic epoch. The study argues that the reflexively imperialist notions and self-assured superiority of the British were slowly being ...