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Now showing items 61-80 of 148
We go back: antimodernism in the early Catholic Worker Movement
(University of Missouri--Columbia, 2007)
The Catholic Worker Movement, founded by Dorothy Day and Peter Maurin in 1933, is generally thought of as peace and social justice movement. While this has been the case since the founding of movement in 1933, the early ...
A banished Adam : Mark Twain and the father of the human race
(University of Missouri--Columbia, 2008)
While Mark Twain has long been viewed as irreligious, scholarship in recent years has underscored the fact that Christianity, the God of the Bible, and the Presbyterianism of his youth play an integral part in his work. ...
Fore ðære mærðe mod astige: two new perspectives on the Old English Gifts of men
(University of Missouri--Columbia, 2008)
The Old English poem The Gifts of Men has received little attention in contemporary scholarship, and when it has been referenced in recent decades, the primary trend has been to comment on its unique structure and position ...
The crisis autobiography : Augustine, Rousseau, and Wordsworth
(University of Missouri--Columbia, 2008)
This project, which on the broadest level can be defined as a comparative study of Augustine's Confessions, Rousseau's Confessions, and Wordsworth's Prelude, is an attempt to bridge a notable gap in the critical literature. ...
Illustrated editions : depicting the eighteenth-century British novel
(University of Missouri--Columbia, 2010)
This dissertation on illustrated British fiction from the 1740s to 1830s argues that a vital part of novelistic interpretation is omitted when illustrations are overlooked. Rather than viewing the novels of the eighteenth ...
The Kissing party
(University of Missouri--Columbia, 2009)
The Kissing Party is a book of lyric poems that interrogate the tradition of love poetry and attempt to refigure and revivify the work of writers like Marvell, Donne, Carew, and the continental and English sonneteers. Some ...
The imaginary age : poetry
(University of Missouri--Columbia, 2018)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] My dissertation includes a critical introduction and a manuscript of poetry. The critical introduction, "There was no warm body in what you wrote": ...
Ruin nation : antiquarian objects and political narratives in the long eighteenth century
(University of Missouri--Columbia, 2008)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] "Ruin Nation: Antiquarian Objects and Political Narratives in the Long Eighteenth Century" examines representations of architectural ruins and ...
Reconstructing gender, personal narrative, and performance at the Michigan Womyn's Music Festival
(University of Missouri--Columbia, 2008)
This ethnographic study examines the Michigan Womyn's Music Festival, a thirty-two-year-old, week-long event that features women performers and relies on an all female staff who produce the event for an audience of women ...
Reluctant sublime
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This dissertation consists of two parts: a critical essay on the Canadian poet Anne Carson's place in the lineage of confessional poetry, as well as ...
Dee-jay drop that deadbeat : hip-hop's remix of fatherhood narratives
(University of Missouri--Columbia, 2018)
This dissertation examines hip-hop fatherhood narratives from 2010-2015 influenced by drug addiction, mass incarceration, underground economies, trauma, and dysfunctional co-parenting. Explicitly, the paper explores how marginalized, urban African...
Pulled out of the land: the poetry of Seamus Heaney and its usage of the past
(University of Missouri, College of Arts and Sciences, 2013)
The culture someone grows up in helps to define that person, for better or for worse. This culture steeps itself into the writer's work, and helps make the writer into who he or she is. For Seamus Heaney, this steeping was ...
Re/presenting traditions: identity, power, and politics in folklife programming
(University of Missouri--Columbia, 2008)
Deliberately playing on the word "tradition," in Re/Presenting Traditions: Identity, Power, and Politics in Folklife Programming, my research interrogates both current practices of re/presenting traditional cultures to the ...
Nineteenth-century literary women and the temperance tradition : temperance rhetoric in the fiction of Lydia Sigourney, Frances Ellen Watkins Harper, Rebecca Harding Davis and Elizabeth Stuart Phelps
(University of Missouri--Columbia, 2007)
Although historically scholars have viewed nineteenth-century temperance as a lesser movement in a century characterized by other weighty reforms, this dissertation builds on recent scholarship that redirects attention to ...
Deaf identity, motherhood and transforming normalcy : an ethnographic challenge to disability studies' treatment of personal experience narratives
(University of Missouri--Columbia, 2008)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This thesis is a fieldwork-based examination of personal experience narratives told by Deaf and hearing mothers of Deaf children. Using participant ...
Roots of oral tradition in the Arabian Nights: an application of oral performance theory to the "Story of the King of China's Hunchback"
(University of Missouri--Columbia, 2007)
The aim of this thesis is to argue for the Arabian Nights as a work of verbal art whose roots are in the oral tradition of the Arab world. After a short premise meant to throw light on the status of oral storytelling in ...
Katrina's other disaster : examining second disaster literature and placing post-Katrina New Orleans
(University of Missouri--Columbia, 2014)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This thesis examines the literary treatment of the time period following major natural and manmade disasters known as the "second disaster," which this ...
The home as public space and creative initiative
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Until recently, Beat women writers have been overlooked as artists by scholarship. They have been pigeonholed as prostitutes, chicks, or conventional ...
Migratory patterns : stories
(University of Missouri--Columbia, 2008)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Migratory patterns is a collection of short stories that examine the experience of Americans traveling abroad. The stories are set in a wide range of ...
Making Pierre Menard author of the Quixote: critics, creators, and context in Borges
(University of Missouri, College of Arts and Sciences, 2011)
Though it has not always been so, it is now possible to conceptualize the act of reading as a process in which we necessarily form an interpretation of a piece of literature, and in so doing, create the work, or the meaning ...