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Terrorism and spectacle in White noise and Mao II
(University of Missouri, College of Arts and Sciences, 2013)
This essay analyzes Don DeLillo's White Noise and Mao II in order to demonstrate a progression of his view of the role of the critic in postmodern society. In White Noise, DeLillo conveys his view of the postmodern condition ...
John Horne Burns : Toward a Critical Biography
(University of Missouri--Columbia, 1985)
The dissertation traces John Horne Burns's life and career as a novelist and English teacher, from his origins in Andover through his literary success with The Gallery (1947), Lucifer with a Book (1949), and A Cry of ...
Revealing incidents : Harriet Jacobs and the new black female virtue
(University of Missouri, College of Arts and Sciences, 2013)
In her narrative Incidents in the Life of a Slave Girl, Jacobs recounts the intended suppression and destruction of her own virtue by her master Dr. Flint. Rather than submit to Dr. Flint's demands, she subverts not only ...
Evening edition: trauma, journalism and the post-9/11 novel
(University of Missouri, College of Arts and Sciences, 2013)
This study will help shape our understanding of the boundaries between journalism and the novel, the ways in which the journalist problematizes our understanding of 9/11 and subverts the traditional trauma narrative ...
Pleasure reading: Playboy's literary fiction
(University of Missouri--Columbia, 2013)
This thesis analyzes short literary fiction published in Playboy magazine for the first two decades after its 1953 inception. Although Hugh Hefner's magazine was best known for its nude pictorials, its editorial mix also ...
The humanity of inaction: a comparison of Kazuo Ishiguro's Never let me go with Michael Bay's The island
(University of Missouri, College of Arts and Sciences, 2013)
One of the most common reader responses to Kazuo Ishiguro's Never Let Me Go has been to question the passivity of the clones, claiming that this inaction reveals a lack of humanity in characters who are otherwise presented ...
Private devotion, common prayer, and the British novel, 1700-1815
(University of Missouri--Columbia, 2013)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Despite the cultural, social, and political influence of the established church in Britain during the eighteenth century, existing scholarship on the ...
Letting off steam : neo-imperial anxieties in postcolonial steampunk literature, aesthetics, and performance
(University of Missouri--Columbia, 2014)
Fractured folk : surfing for folklore frameworks in the face of science, cyber-anxieties and the techno-apocalypse
(University of Missouri--Columbia, 2012)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] The framework of this thesis breaks down a few specific examples of select paradigm shifts that occur when traditional models of folklore studies are ...
Deadbeat dad: Victor Frankenstein as the failed father
(University of Missouri, College of Arts and Sciences, 2013)
In Mary Shelley's novel Frankenstein (1831), protagonist Victor Frankenstein and his relationship to the creature have often been characterized in terms of creator and creation, with Victor trying to usurp women's procreative ...
The moat
(University of Missouri--Columbia, 2013)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] The Moat is a short story collection unified through themes of the hidden, the underground, and the interior, both bodily and geographic. In my work, ...
A deeper sense of truth : William T. Vollmann's Seven Dreams Series and experiencing history
(University of Missouri--Columbia, 2014)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.]
Film in post-World War II American fiction
(University of Missouri--Columbia, 2012)
This dissertation is an exercise in intertextual analysis and an effort toward historicizing film referentiality in American fiction. It focuses on four novels, Walker Percy's The Moviegoer, Thomas Pynchon's Gravity's ...
Glaciology
(University of Missouri--Columbia, 2014)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Glaciology is a two-part dissertation. The first part of the dissertation includes a critical introduction, "A New Sublime: Images of Wilderness in ...
The Heart Can Thirst Because Obsession is a More Country: Poems and Lacemakers: Poems
(University of Missouri--Columbia, 2014)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] In the critical introduction, I consider Claudia Rankine's innovative Don't Let Me Be Lonely from a New Media studies framework. While subtitled an ...
Style and structure, politics, and preaching : the lives of saints and other alliterative works by Ælfric of Eynsham
(University of Missouri--Columbia, 2013)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This dissertation centers on selected works of the late Anglo-Saxon author Ælfric of Eynsham. The purpose of the project is to refine our understanding ...
Yeoman justice :the Robin Hood ballads and the appropriation of aristocratic and clerical justice
(University of Missouri--Columbia, 2013)
Robin Hood and the Monk, Robin Hood and the Potter, A Gest of Robyn Hode, and Robin Hood and the Guy of Guisborne. I argue the Robin Hood texts critique common medieval conceptions of justice by creating new ones through ...
Sexless faces, abnormal bodies, and white trash girls: grotesque women in southern Gothic literature
(University of Missouri, College of Arts and Sciences, 2013)
By exploring and breaking down traditional gender roles through Miss Amelia's androgyny in The Ballad of the Sad Cafe, McCullers shows the ironclad nature of gender binaries and the inconsistency of gender perception in ...
Writer of the ineffable : the paradoxical role of Annie Dillard
(University of Missouri--Columbia, 2005)
While extensive analysis has been written exploring the presence of mysticism in the works of Annie Dillard, little work has emerged which pinpoints her particular mystic sources and demonstrates how Dillard's work uses ...
Concretes and abstracts in the Old English epic Beowulf
(University of Missouri--Columbia, 1916)
That poem may surely be said to be abstract in character in which the motive is more real than the deed, in which the thoughts of a man's heart are given more dramatic prominence than the facts of his appearance, in which ...