Now showing items 21-40 of 57

    Title
    “Immortal Harps”: Milton and musical morality in Handel’s Samson
    In sympathy: how to read—and view—Edith Wharton’s The house of mirth
    Indispensable Lives: Magical Realism and Postcolonial Resistance in Ana Castillo’s So Far from God and Junot Diaz’s The Brief Wondrous Life of Oscar Wao
    Influence: the linked stories of Olive Kitteridge and developing creative work
    Judgments on witness reliability from written transcripts
    A Lacanian interpretation of desire and hysteria in Black swan
    Losing sight of literature: the commodity of book packaging
    Making Pierre Menard author of the Quixote: critics, creators, and context in Borges
    Misinterpreted Perception: Defining the True Nature of Chivalry During the First Crusade
    “My Madness Singing”: the specter of syphilis in Prufrock’s Love Song
    The nature of nervous conditions in Tsitsi Dangarembga's Nervous conditions
    Not a comback: the persistence of decadence in film noir
    Parody and media literacy in "Nathan For You" and [creative final] "Adrift"
    The Personal Essay and the Memoir: A Comparison
    Pull Me Out to Sea
    Pulled out of the land: the poetry of Seamus Heaney and its usage of the past
    Race, class, gender & property in women's writing of the Harlem Renaissance
    Race, gender, and the limits of physicality in Ourika and Quicksand
    Racist elevator inspectors, consumer-driven zombies, and the sardonicism that mocks them both in Colson Whitehead’s The Intuitionist and Zone One
    The relevance and controversy of Dorothy Parker's works