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dc.contributor.advisorConnelly, Frances S.eng
dc.contributor.authorMartin, Lisa Simoneeng
dc.contributor.sponsorArt and Art History
dc.date.issued2011eng
dc.date.submitted2011 Summereng
dc.descriptionTitle from PDF of title page, viewed on August 10, 2011eng
dc.descriptionThesis advisor: Frances Connellyeng
dc.descriptionVitaeng
dc.descriptionIncludes bibliographical references (p. 57-60)eng
dc.descriptionThesis (M.A.)--Dept. of Art and Art History. University of Missouri--Kansas City, 2011eng
dc.description.abstractEdgar Degas' portrayal of women has generated particular interest. His subjects were often thought to be women of ill-repute, yet Degas shows them hard at work. I believe that Degas purposefully set out to chronicle the plight of working women as part of his commitment to realism in art. Looking at his series of ballet paintings and contrasting them with the works of other contemporary artists, I hope to show that Degas worked with a social consciousness of the unfair role forced on women in his society. will look at historical data, including information on the Paris Opera and its habitués. The concluding in-depth analysis of Degas' ballet images will place Degas' work in relation to other artists of his day working with similar subject matter. I hope to show that Degas was an artist both conscious of and sympathetic to the circumstances of the women he depicted.eng
dc.description.sponsorshipCollege of Arts and Sciences
dc.description.versionmonographic
dc.format.extentvii, 61 pageseng
dc.format.mediumtext
dc.identifier.urihttp://hdl.handle.net/10355/11357eng
dc.languageEnglish
dc.relation.isversionofVersion of record
dc.rightsOpen Access (fully available)
dc.rights.holderCopyright retained by author
dc.subject.lcshWomen in arteng
dc.subject.lcshSocial problems in arteng
dc.subject.lcshDegas, Edgar, -- 1834-1917 -- Criticism and interpretationeng
dc.subject.otherThesis -- University of Missouri--Kansas City -- Art and art historyeng
dc.subject.otherIntroduction -- Setting the stage: politics, culture, and gender roles in nineteenth-century France -- All that glitters: life at the Paris Opera -- Degas and his Dancers -- Conclusioneng
dc.titleSubversion of the gaze Degas and the social implications of his Dancerseng
dc.typeThesiseng
dc.type.genreGraduate
thesis.degree.disciplineArt and Art Historyeng
thesis.degree.grantorUniversity of Missouri--Kansas Cityeng
thesis.degree.levelMasterseng
thesis.degree.nameMA (Master of Arts)eng


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