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"The great fairy science" : the marriage of natural history and fantasy in Victorian children's literature
(University of Missouri--Columbia, 2009)
This dissertation explores the merging of two unlikely literary - natural history writing and fantasy - as a subgenre of mid - to late nineteenth century British children's literature. Tailoring natural history for children, ...
Feminist Applepieville: architecture as social reform in Charlotte Perkins Gilman's fiction
(University of Missouri--Columbia, 2007)
Charlotte Perkins Gilman used her fiction to supplement, or "flesh-out," her theories on the necessity for women's economic independence and emancipation from household work. Women's place, she believed, was alongside men ...
This is not Dickens: fidelity, nostalgia, and adaption
(University of Missouri--Columbia, 2006)
In this project, I examine the responses of filmgoers to three adaptations of Victorian novels: Joe Wright's Pride & Prejudice (2005), Roman Polanski's Oliver Twist (2005), and Alfonso Cuarón's Great Expectations (1998). ...
Young adult novels and their film adaptations
(University of Missouri, College of Arts and Sciences, 2011)
When novels first originated in the mid eighteenth century, they were seen as lowbrow and unworthy of serious study. Now, the study of novels is a staple to academia, but certain types of novels are still considered with ...
Mere shadows of human forms: intersections of body and adaptation theories in six screen versions of Jane Eyre
(University of Missouri--Columbia, 2008)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Current scholars of cinematic embodiment recognize limitations in psychoanalytic theories of spectatorship, but their works are still too dependent on ...
A cinema of confrontation : using a material-semiotic approach to better account for the history and theorization of 1970s independent American horror
(University of Missouri--Columbia, 2015)
In The Films in My Life, Francois Truffaut describes how "cinematic success" results from a fragile, temporary confluence of elements: the director, the film itself, and its audience, but also critical reception, marketing, ...
Shooting a mule (and other stories)
(University of Missouri--Columbia, 2013)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Shooting A Mule (and other stories) is a book-length collection of short historical fiction, centering around visual representations, photographs, and ...
In sympathy : how to read -- and view -- Edith Wharton's The house of mirth
(University of Missouri, College of Arts and Sciences, 2016)
In the second Gilded Age that we live in now, it has been surprising to me to find that Edith Wharton's presence in homes and classrooms has been waning. In order to understand why this is, I turn to one of Wharton's most ...
Somatic subjects : the pathological path to Victorian womanhood
(University of Missouri--Columbia, 2012)
This project explores the role of disease in narratives of female development throughout the nineteenth century, primarily British women's novels. Specifically, I analyze the ways in which female subjectivities are formed ...
Melodrama's afterlife : Jane Eyre, David Copperfield, and The Woman in White from the Victorian stage to the silent screen
(University of Missouri--Columbia, 2010)
Unique in building a much-needed bridge between fiction, theatre, and film, "Melodrama's Afterlife" proves that writers working in all three genres throughout the long Victorian era engaged in a reciprocal relationship ...