RSS 1.0Department of Theatre (MU)
The MU Department of Theatre has a distinguished history that began shortly after 1900 when a small group of aspiring thespians resolved to enhance the cultural life of the campus by producing plays in an abandoned dining room in Lathrop Hall. For nearly 75 years, the department has sustained a national and international reputation as a major center for theatre scholarship and dramatic art production. A professional faculty comprises internationally recognized scholars and artists who develop the talents, skills and knowledge of students by teaching them to combine scholarship with craftsmanship.
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Stanislavsky-based American acting education through the lens of trauma-informed practices
(University of Missouri--Columbia, 2022)[EMBARGOED UNTIL 12/1/2023] This dissertation seeks to merge the research of theatre, neuropsychology, and trauma studies in order to examine the ethics of past and contemporary Stanislavsky-based American actor training ... -
Painted ceilings in scenic design: reflections of American women in scenic design
(University of Missouri--Columbia, 2022)[EMBARGOED UNTIL 8/1/2023] Posing the question; Why are there so few women acknowledged with major awards, specifically Tony Awards in scenic design? An immediate answer is revealed in the number of women who are designing ... -
The driving forces of cranial extra-axial space morphology: age, sex, and drugs
(University of Missouri--Columbia, 2022)Surrounding the brain but contained within the skull is a dynamic organ that functions to physically and chemically maintain the typical functioning of the brain. This organ is usually appreciated only as a series of layered ... -
Performing resurrection: upholding the spirit and legacy of El Salvador's Saint Oscar A. Romero through Bread and Puppet's and MECATE's radical theatre activism and liberation theology
(University of Missouri--Columbia, 2021)Amidst death threats by the right-wing military for denouncing human rights violations during the Salvadoran Civil War, Salvadoran priest Archbishop Oscar A. Romero (1917-1980), a proponent of liberation theology, declared ... -
Intercultural adapturgy : twenty-first century women adapting Spanish golden age plays
(University of Missouri--Columbia, 2021)Transferring work from one culture to another through translation or adaptation is a delicate process which requires careful consideration of both the positionality of the adapter and the intertextual reaction of the adapted ... -
The microecology of identity in the last plays of Lanford Wilson
(University of Missouri--Columbia, 2020)[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI-COLUMBIA AT REQUEST OF AUTHOR.] Critical assessments of Lanford Wilson's dramas are incomplete, with most studies ending about the time of Burn This (1987); furthermore, ... -
Killing "woman" : gender and violence in selected plays by Sheila Callaghan and Marisa Wegrzyn
(University of Missouri--Columbia, 2019)One of the most popular manifestations of spectacle in the theatre is violence. Frequently, violence on the stage manifests in the form of violence towards women at the hands of men. As a woman violence and intimacy designer, ... -
Harmonizing with the cosmos : a critical analysis of cosmic symbolism in musical theatre
(University of Missouri--Columbia, 2018)Humankind has long possessed a fascination with the cosmos and the cosmic bodies they can see from their earthly home. Overtime humans began to associate deities with the cosmic bodies, and religions developed to explain ... -
Do my eyes deceive me?: “Acts of Sight” in Naomi Iizuka's Polaroid Stories, Concerning Strange Devices From the Distant West, War of the Worlds, and Good Kids
(University of Missouri--Columbia, 2018)[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Do My Eyes Deceive Me?: Acts of Sight in Naomi Iizuka's Polaroid Stories, Concerning Strange Devices from the Distant West, War of the Worlds, and Good ... -
The influence of gender on the careers of women theatre faculty in higher education : a qualitative investigation
(University of Missouri--Columbia, 2018)[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Researchers have long documented issues with gender equity in higher education, especially in STEM fields, but less attention has been directed to ... -
Where have all the mothers gone? : The liminalities of child loss in contemporary drama
(University of Missouri--Columbia, 2018)[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] My dissertation, "Where Have All the Mothers Gone?: The Liminalities of Child Loss in Contemporary Drama," focuses on the liminal states in which female ... -
The recovery project : three dramatic works concerning alcoholism and recovery
(University of Missouri--Columbia, 2018)This dissertation explores the transformative nature of storytelling in alcoholism recovery. I created a trilogy of dramatic works titled The Recovery Project, which address the underrepresented narrative of recovery through ... -
Birds and backs : a scholarly exploration of writing, performance, and body image
(University of Missouri--Columbia, 2017)Diet culture is an intricate part of the current society in the United States, affecting countless women and girls, and men and boys. The health problems associated with dieting are major concerns, especially given the ... -
"If the wizard is a wizard who will serve" : the movical and shifting receptions of the St. Louis Municipal Opera and Royal Shakespeare Company's stage adaptations of MGM's "The Wizard of Oz"
(University of Missouri--Columbia, 2016)[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] L. Frank Baum's The Wizard of Oz has been seen in many forms throughout the 20th and 21st centuries. One ilmof the most recognizable forms is the 1939 ... -
Figure of fun : gender, performance, and popular entertainment in the theatrical career of Trixie Friganza, 1889-1940 /
(University of Missouri--Columbia, 2016)[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This study examines Friganza's many performances of gender over the course of her career, from her first appearance as a young, nubile chorus girl in ... -
Developing a sustainable business model for theatres : a case study of Kansas City's Starlight Theatre
(University of Missouri--Columbia, 2016)The business of theatre is a profitable yet volatile industry. Typically, organizations are considered successful or unsuccessful, with the latter organizations theatres frequently going out of business. This study adapts ... -
Cover (a play about trafficking) the power of creating performative auto/ethnographies in a theatre community
(University of Missouri--Columbia, 2015)The greatest trick the Devil ever pulled was convincing the world he didn't exist. This idea that the devil (or depravity) is sly enough to make us believe it doesn't exist comes rushing forward up to this moment. I connect ... -
No crown without the cross : the formation, existence, and disappearance of the Catholic Stage Guild of Ireland
(University of Missouri--Columbia, 2015)[ACCCSS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] In December 1948, an article by Seamus Brady in The Manitoba Ensign claimed, "[The Catholic Stage Guild of Ireland] has branches in every city in ... -
Coriolanus versus the warrior women : a dramaturgical analysis of an adaptation of Shakespeare's play
(University of Missouri--Columbia, 2014)[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Coriolanus by William Shakespeare has a respectable performance history, although it has never been as popular as Hamlet, Macbeth or Romeo and Juliet. ... -
Devising and collective organization in the San Francisco mime troupe's history
(University of Missouri--Columbia, 2015)The evolution of the collective structure and use of devising in the San Francisco Mime Troupe's history are intertwined with one another. In order to understand this relationship, and discover what it might contribute to ...