RSS 1.0Department of Theatre (MU)
The MU Department of Theatre has a distinguished history that began shortly after 1900 when a small group of aspiring thespians resolved to enhance the cultural life of the campus by producing plays in an abandoned dining room in Lathrop Hall. For nearly 75 years, the department has sustained a national and international reputation as a major center for theatre scholarship and dramatic art production. A professional faculty comprises internationally recognized scholars and artists who develop the talents, skills and knowledge of students by teaching them to combine scholarship with craftsmanship.
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Theatre and liberal arts in Christian higher education : a qualitative study
(University of Missouri--Columbia, 2024)The relationship between theatre and higher education has long been examined by researchers. However, Christian higher education and its relationship to theatre presents an area that has gone largely unexamined. Authors ... -
Training to act : the experience and impacts of BFA actor training
(University of Missouri--Columbia, 2024)The process of professional actor training is one that requires vulnerability and often leads to self-discovery. At the same time, studies have shown that the impact of acting on performers is complex and can also lead to ... -
The Trickster astride : the lingering nature of African orature
(University of Missouri--Columbia, 2023)[EMBARGOED UNTIL 12/1/2024] This dissertation is based on two pieces of my artistic work namely, auto ethnography based personal narrative under the title, The Trickster's Journey back and a play under the title, Recreations. ... -
Opposite sides of a hyphen : becoming my Iranian-American identity through autobiographical performance
(University of Missouri--Columbia, 2023)Having one parent from Iran and the other from the US, I learned from an early age that I was wedged between two distinct cultures. As an adolescent, following my parent's divorce, I thought that the words on opposite sides ... -
Resisting lore in playwriting education : an investigation into the pedagogy of playwriting
(University of Missouri--Columbia, 2023)In September of 2006, the Dramatists Guild's magazine, The Dramatist, asked the question, "Can Playwriting Be Taught?" on its cover. Inside, Marsha Norman (Pulitzer Prize-winning playwright) called this question "age-old." ... -
Stanislavsky-based American acting education through the lens of trauma-informed practices
(University of Missouri--Columbia, 2022)This dissertation seeks to merge the research of theatre, neuropsychology, and trauma studies in order to examine the ethics of past and contemporary Stanislavsky-based American actor training and the potential traumatization ... -
Painted ceilings in scenic design: reflections of American women in scenic design
(University of Missouri--Columbia, 2022)Posing the question; Why are there so few women acknowledged with major awards, specifically Tony Awards in scenic design? An immediate answer is revealed in the number of women who are designing at this level which rouses ... -
The driving forces of cranial extra-axial space morphology : age, sex, and drugs
(University of Missouri--Columbia, 2022)Surrounding the brain but contained within the skull is a dynamic organ that functions to physically and chemically maintain the typical functioning of the brain. This organ is usually appreciated only as a series of layered ... -
Performing resurrection: upholding the spirit and legacy of El Salvador's Saint Oscar A. Romero through Bread and Puppet's and MECATE's radical theatre activism and liberation theology
(University of Missouri--Columbia, 2021)Amidst death threats by the right-wing military for denouncing human rights violations during the Salvadoran Civil War, Salvadoran priest Archbishop Oscar A. Romero (1917-1980), a proponent of liberation theology, declared ... -
Intercultural adapturgy : twenty-first century women adapting Spanish golden age plays
(University of Missouri--Columbia, 2021)Transferring work from one culture to another through translation or adaptation is a delicate process which requires careful consideration of both the positionality of the adapter and the intertextual reaction of the adapted ... -
The microecology of identity in the last plays of Lanford Wilson
(University of Missouri--Columbia, 2020)[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI-COLUMBIA AT REQUEST OF AUTHOR.] Critical assessments of Lanford Wilson's dramas are incomplete, with most studies ending about the time of Burn This (1987); furthermore, ... -
Killing "woman" : gender and violence in selected plays by Sheila Callaghan and Marisa Wegrzyn
(University of Missouri--Columbia, 2019)One of the most popular manifestations of spectacle in the theatre is violence. Frequently, violence on the stage manifests in the form of violence towards women at the hands of men. As a woman violence and intimacy designer, ... -
Harmonizing with the cosmos : a critical analysis of cosmic symbolism in musical theatre
(University of Missouri--Columbia, 2018)Humankind has long possessed a fascination with the cosmos and the cosmic bodies they can see from their earthly home. Overtime humans began to associate deities with the cosmic bodies, and religions developed to explain ... -
Do my eyes deceive me? : “Acts of Sight” in Naomi Iizuka's Polaroid Stories, Concerning Strange Devices From the Distant West, War of the Worlds, and Good Kids
(University of Missouri--Columbia, 2018)[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI-COLUMBIA AT AUTHOR'S REQUEST.] Do My Eyes Deceive Me?: Acts of Sight in Naomi Iizuka's Polaroid Stories, Concerning Strange Devices from the Distant West, War of the Worlds, ... -
The influence of gender on the careers of women theatre faculty in higher education : a qualitative investigation
(University of Missouri--Columbia, 2018)[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI-COLUMBIA AT AUTHOR'S REQUEST.] Researchers have long documented issues with gender equity in higher education, especially in STEM fields, but less attention has been directed ... -
Where have all the mothers gone? : The liminalities of child loss in contemporary drama
(University of Missouri--Columbia, 2018)[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI-COLUMBIA AT AUTHOR'S REQUEST.] My dissertation, "Where Have All the Mothers Gone?: The Liminalities of Child Loss in Contemporary Drama," focuses on the liminal states in ... -
The recovery project : three dramatic works concerning alcoholism and recovery
(University of Missouri--Columbia, 2018)This dissertation explores the transformative nature of storytelling in alcoholism recovery. I created a trilogy of dramatic works titled The Recovery Project, which address the underrepresented narrative of recovery through ... -
Birds and backs : a scholarly exploration of writing, performance, and body image
(University of Missouri--Columbia, 2017)Diet culture is an intricate part of the current society in the United States, affecting countless women and girls, and men and boys. The health problems associated with dieting are major concerns, especially given the ... -
"If the wizard is a wizard who will serve" : the movical and shifting receptions of the St. Louis Municipal Opera and Royal Shakespeare Company's stage adaptations of MGM's "The Wizard of Oz"
(University of Missouri--Columbia, 2016)[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] L. Frank Baum's The Wizard of Oz has been seen in many forms throughout the 20th and 21st centuries. One ilmof the most recognizable forms is the 1939 ... -
Figure of fun : gender, performance, and popular entertainment in the theatrical career of Trixie Friganza, 1889-1940 /
(University of Missouri--Columbia, 2016)[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This study examines Friganza's many performances of gender over the course of her career, from her first appearance as a young, nubile chorus girl in ...