Now showing items 1-20 of 26

    The American musical stage as a site of utopian possibilities: subversive representations of race and gender in Violet and Caroline, or change
    Becoming a feminist director in the academy
    Bodily difference, interdependence, and toxic half-lives: representations of disability in D.W. Gregorys Dirty Pictures, The Good Daughter, and Radium Girls
    The changing face of American theatre: colorblind and uni-racial casting at the New York Shakespeare Festival under the direction of Joseph Papp
    Conducting a pedagogy: the influence of Maria Irene Fornes's teaching and the Padua Hills Playwright Workshop and Festival on three contemporary women playwrights
    Connections and confluences: the personal and artistic journeys in the writing of Survival dance
    Dramatic conflict: exploring interactive theatre as a pedagogical tool for addressing issues of heterosexism in the educational system
    An exploratory and descriptive inquiry into the relationship between the goals of general education and disciplinary content in acting for non-majors courses in colleges and universities in the United States
    The first year: an autoethnography of the Troubling Violence Performance Project
    From Hattie to Halle: an autoethnographic exploration of a black actress performing weight loss
    From Stonewall to Millennium: Lesbian Representation in Three Representative Late 20th-Century Plays by American Women.
    The Harold: a revolutionary form that changed improvisational theatre & American comedy
    Here and Now/Hear and (k)Now [abstract]
    Journeying a/cross the divide: an auto/ethnographic performance of coming out
    "Kiss today goodbye, and point me toward tomorrow": reviving the time-bound musical, 1968-1975
    Knickerbockers west: how three playwrights shaped the image of the American west
    The labor of action for the operation of truth: the phenomenology and dramatic Platonism of Meisner technique as refined and extended by William Esper
    Performance, playwriting and pedagogy: teaching devised theatre in the digital age
    Sarah Ruhl's women: gender, representation and subversion in the Clean house, Eurydice and In the next room, or the vibrator play