Now showing items 1-20 of 31

  • Between Glimpses of Blue for Wind Ensemble and Fixed Media 

    King-Smith, Theodore Ronald (University of Missouri--Kansas City, 2017)
    Between Glimpses of Blue is a work for wind ensemble and fixed media that uses the visual imagery of clouds as the inspiration for the piece, and as a direct influence for the form and orchestration. Cirrus, Stratus, ...
  • Bird-like: five scenes for sinfonietta (or chamber orchestra) 

    Ottum, Cooper Riley (2015-07-28)
    Bird-like is a continuous series of five musical scenes for sinfonietta, or, optionally, chamber orchestra (single winds, with a small string section). Each scene is inspired by the motions, behaviors, and physical ...
  • The Birth of the Eternal for String Orchestra, Piano and Percussion 

    Amiryan, Tatev (University of Missouri–Kansas City, 2016)
    The Birth of the Eternal is a one-movement composition for string orchestra, piano and percussion. It is written as a centennial commemoration of the 1915 Armenian Genocide and honors the memory of the victims of the ...
  • BITE: New Music Concert and Multimedia Installation Featuring Vocal Soloists from the KC VITAs Chamber Choir and Dancers from the UMKC Conservatory of Music and Dance 

    Busch, Stacy (University of Missouri--Kansas City, 2016)
    BITE is a multi-media installation that features all new music in an entirely immersive space. There is no complete, written score for the full performance. Instead, there is fixed media with semi-improvised, cellular vocal ...
  • BOOM!!! ...for Real! 

    Landis, Steven Jon Jr. (University of Missouri--Kansas City, 2017)
    BOOM!!! ...for Real! is a fifteen-minute chamber concerto for alto saxophone (doubling tenor) and mixed chamber ensemble. The paintings and techniques of three American expressionist painters—Cy Twombly, Franz Kline, ...
  • Chamber Symphony 

    Kern, Joseph (2015-08-04)
    “Chamber Symphony” is a symphony for chamber orchestra (flute/piccolo, oboe/english horn, clarinet, bassoon, two horns in F, piano, and strings) and soprano. It is in a nesting doll structure. That is, there are increasingly ...
  • Children of Chaos: Three Movements for Orchestra 

    Powell, Aubrie (University of Missouri--Kansas City, 2017)
    Two characters from The Chronicles of Chaos trilogy by John C. Wright inspire these three movements for orchestra, “Amelia,” “Colin,” and “Exit.” The characters in the story are not human and have different powers ...
  • Concerto for Tenor Saxophone and Wind Ensemble 

    Baker, Dylan Arthur (University of Missouri--Kansas City, 2017)
    I wrote CONCERTO FOR TENOR SAXOPHONE AND WIND ENSEMBLE in the tradition of the grand concerti of the nineteenth century, but incorporating a modern sense of harmony and rhythm. The spirit of the piece is very in the ...
  • Concerto for Two Horns and Orchestra 

    Morel, Daniel Eric (University of Missouri--Kansas City, 2018)
    This concerto for two horns and orchestra is a 25-minute work for two virtuoso horn players and full-size orchestra. The work draws on images of the Rocky Mountains and Western United States. Three movements depict a ...
  • Darwin's Thought 

    Tam, Ka Shu (2015-07-28)
    It is difficult to describe accurately the bond between humans and society. Our current society is morphing at such a gradual pace that no one seems to notice many changes. Those changes, however, accumulate and in fact ...
  • Escape from the Evil Empire 

    Young, Kerwin (2015-07-28)
    A dirge for soprano, women’s chorus, and orchestra, ‘Escape from the Evil Empire’ was created with the idea of composing original music for an epic, major motion picture. The original text speaks of unwanted souls in a ...
  • Fit to Live, a flexible form concerto for wind ensemble 

    Pulatie, Leah Sproul (2014-08-28)
    This work is a flexible form concerto for trumpet and wind ensemble. It consists of several fixed sections, or modules, that can be put together in several specific pre-determined ways to create various versions of the ...
  • Five Ekmousikés for Solo Piano 

    Smith, Trevor Taylor (University of Missouri--Kansas City, 2016)
    “Five Ekmousikés” is a multi-movement work composed for solo piano, dedicated to and to be premiered by my grandmother, Dr. Janet Bass Smith. Each movement in this work is programmatically tied to a piece of extra-musical ...
  • Flourishes (2012.13) for chamber orchestra 

    Omiccioli, Nicholas Scott (2014)
    flourishes (2012.13) for chamber orchestra was composed for the Summer Music Institute at the National Arts Centre in Ottawa, Ontario. The title serves as a description for the active woodwind parts and large scale ...
  • For whom the bell tolls for flute (piccolo), soprano saxophone (alto saxophone), percussion, and piano 

    Yin, Hao (University of Missouri--Kansas City, 2018)
    This piece is inspired by "Meditation XVII”, a poem written by John Donne in 1624. It appears in Devotions Upon Emergent Occasions and Seuerall Steps in my Sicknes. The opening line is: "PERCHANCE he for whom this ...
  • forsan et haec olim meminisse iuvabit 

    Strawbridge, Adam J. (University of Missouri--Kansas City, 2018)
    This quartet features a transparent structure in which a dense, static ensemble motif gradually and smoothly transforms into a highly active and agitated counter-motif. This process repeats twice: with each iteration, ...
  • Great Fool: Six Poems of Ryōkan for Tenor and Orchestra 

    Greenwood, Morgan Reed (University of Missouri--Kansas City, 2017)
    Great Fool: Six Poems of Ryōkan for tenor and orchestra (2017) is a piece of music written for tenor voice and orchestra in six interconnected songs lasting approximately thirteen minutes. Each song is an English ...
  • Gumiho: how I tried to give up eating human livers and love someone: an opera in two acts 

    Kim, Nahyun (2014-08-28)
    Gumiho (pronounced goo-mi-ho) is an opera based on an ancient Korean folktale about a 5,000 year old fox-monster with nine tails whose only source of nourishment is human livers. The complete opera will be in two acts ...
  • Masks 

    Zhou, Jing (University of Missouri--Kansas City, 2016)
    Masks is inspired by a type of Chinese opera called Chuanju, which comes from the Sichuan region in southwest China. In Chuanju, each character has his or her own type of face makeup. For example, semi-transparent makeup ...
  • Material Evidence 

    Landon, David Paul (University of Missouri--Kansas City, 2018)
    Material evidence is a twelve-and-a-half minute long work for twenty-two musicians and electronics. The main inspiration for the work came as a combination of scientific research in the field of music cognition and ...