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dc.contributor.advisorWest, Nancy Martha, 1963-eng
dc.contributor.authorLaird, Karen, 1975-eng
dc.date.issued2010eng
dc.date.submitted2010 Falleng
dc.description.abstractUnique in building a much-needed bridge between fiction, theatre, and film, "Melodrama's Afterlife" proves that writers working in all three genres throughout the long Victorian era engaged in a reciprocal relationship bound by their common use of melodrama. Covering dramatic adaptations of Jane Eyre, David Copperfield, and The Woman in White staged between 1848 and 1878 in London and New York, this dissertation argues that the first playwrights prioritized experimentation over fidelity to their source texts. These three case studies reveal the Victorians to be pioneers in the art of adaptation. Silent film directors depended more heavily upon these Victorian playscripts as sources for their film adaptations than the original novels. By unearthing the adaptation strategies of the Victorian theatre and early twentieth-century cinema, "Melodrama's Afterlife" ultimately challenges the theory predominant among adaptation scholars today, which holds that the experimentation evident in contemporary film adaptations represents a revolutionary break from a century-long concern with fidelity to the written word. This study proves that our new focus on originality and experimentation in film adaptation is not so much a breaking away from an older model of film adaptation. Instead, it is a return to Modernist adaptation approaches that were rooted in Victorian melodrama.eng
dc.format.extentvii, 332 pageseng
dc.identifier.oclcn/aeng
dc.identifier.urihttp://hdl.handle.net/10355/41898
dc.languageEnglisheng
dc.publisherUniversity of Missouri--Columbiaeng
dc.relation.ispartofcollectionUniversity of Missouri--Columbia. Graduate School. Theses and Dissertations.eng
dc.rightsOpenAccess.eng
dc.rights.licenseThis work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License.
dc.subjectJane Eyreeng
dc.subjectDavid Copperfieldeng
dc.subjectThe Woman in Whiteeng
dc.subjectTheater historyeng
dc.subjectFilm studieseng
dc.subject.FASTStage adaptationseng
dc.subject.FASTBront�, Charlotte. Jane Eyreeng
dc.subject.FASTDickens, Charles. David Copperfieldeng
dc.subject.FASTWilkie, Collins. Woman in whiteeng
dc.titleMelodrama's afterlife : Jane Eyre, David Copperfield, and The Woman in White from the Victorian stage to the silent screeneng
dc.title.alternativeJane Eyre, David Copperfield, and The Woman in White from the Victorian stage to the silent screeneng
dc.typeThesiseng
thesis.degree.disciplineEnglish (MU)eng
thesis.degree.grantorUniversity of Missouri--Columbiaeng
thesis.degree.levelDoctoraleng
thesis.degree.namePh. D.eng


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