dc.contributor.author | Hoard, Adrienne W. | eng |
dc.contributor.sponsor | Black Studies | |
dc.coverage.spatial | South Africa | eng |
dc.date.issued | 2001 | eng |
dc.description | Includes bibliographical references (page 40) | eng |
dc.description.sponsorship | College of Arts and Sciences | |
dc.description.version | monographic | |
dc.format.extent | 4 pages : illustrations | eng |
dc.format.medium | text | |
dc.identifier.citation | Cultural Survival Quarterly, Vol. 24, No. 4, Winter 2001, p. 37-40 | eng |
dc.identifier.uri | https://hdl.handle.net/10355/45494 | eng |
dc.language | English | |
dc.publisher | Cultural Survival | eng |
dc.relation.isversionof | Published version | |
dc.rights | Open Access (fully available) | |
dc.rights.holder | Copyright retained by author | |
dc.subject.lcsh | Ndebele (African people) | eng |
dc.subject.lcsh | Art, African | eng |
dc.subject.lcsh | Art, Ndebele | eng |
dc.subject.lcsh | Mural painting and decoration, Ndebele | eng |
dc.title | The commodification of art : Ndebele women in the stream of change | eng |
dc.type | Article | eng |
dc.type.genre | Faculty | |