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dc.contributor.authorJennings, Sameng
dc.date.issued2015eng
dc.description.abstractWhen The Velvet Underground & Nico was released in March of 1967, it was to a public that hardly cared and a critical establishment that could not make heads or tails of it. Its sales were dismal, due in part to legal troubles, and MGM's bungled attempts at promoting the record. The Velvet Underground's seedy, druggy music defiantly reflected an urban attitude even closer to the beatniks than Bob Dylan and even more devoted to rock n' roll primitivism than The Rolling Stones or The Who. Nevertheless, the recording had no place in a landscape soon to be dominated by San Francisco psychedelics and high-concept British pop.eng
dc.identifier.citationArtifacts ; issue 12 (2015)eng
dc.identifier.urihttps://hdl.handle.net/10355/45558eng
dc.languageEnglisheng
dc.publisherUniversity of Missouri, The Campus Writing Programeng
dc.relation.ispartofseriesArtifacts ; issue 12 (2015)eng
dc.rightsOpenAccess.eng
dc.rights.licenseThis work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License.
dc.subjectpopular music 1967, alternative American and British musiceng
dc.titleAlbum review of The Velvet Underground & Nicoeng
dc.typeArticleeng


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