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dc.contributor.advisorMcKenney, W. Thomas, 1938-eng
dc.contributor.authorMascarenhas, João Marcos Gomeseng
dc.date.issued2006eng
dc.date.submitted2006 Summereng
dc.descriptionThe entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file.eng
dc.descriptionTitle from title screen of research.pdf file (viewed on April 21, 2009)eng
dc.descriptionIncludes bibliographical references.eng
dc.descriptionThesis (M.M.) University of Missouri-Columbia 2006.eng
dc.descriptionDissertations, Academic -- University of Missouri--Columbia -- Music.eng
dc.description.abstractThis instrumental piece is the result of my attempt to mix principles of modern fine art composition techniques with melodies, rhythms, and harmonies, originated from the popular music of the three Americas. From South America, I used elements of baião, maracatú, afoxé, lundú, and samba. From Central America, I used elements of guaguancó (son), rumba, merengue. And finally from North America I used elements of rock, hip-hop, and especially contemporary jazz in which a lot of 20th century fine art composition techniques and theoretical aspects are employed. In addition, because popular music isextremely dance oriented, extensive use of ostinatos and or repeated figures is employed in my composition.eng
dc.identifier.merlinb66822403eng
dc.identifier.urihttp://hdl.handle.net/10355/4558
dc.languageEnglisheng
dc.publisherUniversity of Missouri--Columbiaeng
dc.relation.ispartofcommunityUniversity of Missouri--Columbia. Graduate School. Theses and Dissertationseng
dc.subject.lcshInstrumental ensembles -- Scoreseng
dc.titleThe three Americaseng
dc.typeThesiseng
thesis.degree.disciplineMusic (MU)eng
thesis.degree.grantorUniversity of Missouri--Columbiaeng
thesis.degree.levelMasterseng
thesis.degree.nameM.M.eng


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