• The Battle of Westport: Along Union Lines A Chamber Work With Electronics and Narration in Eight Movements 

    Lynn, Brian Arthur (2016)
    The Battle of Westport: Along Union Lines is an eight-movement chamber piece for 12 instruments (3 woodwinds, 3 brass, 1 percussion, string quintet), electronics and narration. Live audio has been captured at eight of the ...
  • The Birth of the Eternal for String Orchestra, Piano and Percussion 

    Amiryan, Tatev (University of Missouri–Kansas City, 2016)
    The Birth of the Eternal is a one-movement composition for string orchestra, piano and percussion. It is written as a centennial commemoration of the 1915 Armenian Genocide and honors the memory of the victims of the ...
  • Characters in Theatre for Orchestra 

    Wang, Amao (2016)
    Beijing Opera is a form of traditional Chinese theater that combines singing, reciting, performing, acrobatics acting, and instrumental accompanying, along with rich face make-up, costume and stage setting. I applied ...
  • Masks 

    Zhou, Jing (University of Missouri--Kansas City, 2016)
    Masks is inspired by a type of Chinese opera called Chuanju, which comes from the Sichuan region in southwest China. In Chuanju, each character has his or her own type of face makeup. For example, semi-transparent makeup ...
  • Mock Trial! 

    Liu, Elbert, 1988- (2016)
    Mock Trial is a work for wind ensemble. It is inspired by proceedings common to debates and courtroom sessions, where multiple arguments are presented, examined and cross-examined. As a parody, the work pokes fun at the ...
  • Nicodemus! The Beds are Burning Again: The Ascension of Gorgomath 

    Miller, Michael Brian (2016)
    Nicodemus! The Beds are Burning Again: The Ascension of Gorgomath is a 22-minute concerto for piano and chamber orchestra that explores the use of narrative as a means of unifying disparate musical languages into a ...