dc.contributor.advisor | Brian, Mitch, 1961- | eng |
dc.contributor.author | Hamer-Beck, Erin N. | |
dc.date.issued | 2015 | |
dc.date.submitted | 2015 Fall | eng |
dc.description | Title from PDF of title page, viewed on March 22, 2016 | en |
dc.description | Thesis advisor: Mitch Brian | en |
dc.description | Vita | en |
dc.description | Thesis (M.F.A.)--Department of English Language and Literature. University of Missouri--Kansas City, 2015 | en |
dc.description | Includes bibliographical references (page xiv) | en |
dc.description.abstract | On the surface, Ramey Stewart has it all. She is married to
the most powerful man in Wichita; she is beautiful and rich
beyond the dream of avarice. But there is one thing missing from
her perfect life: children. After she suffers her eighth
miscarriage, Ramey dissolves into a lengthy and crippling
depression. Her mother, Linnaia, takes Ramey to church to try to
pray for healing. While at church, Ramey encounters an old
friend from college named Kate, who now works for a maternity
home. Ramey’s depression endures and worsens with her alcohol
abuse. Ramey’s husband, Gus, pleads with Ramey to seek
professional help, which Ramey refuses.
Ramey’s anxiety and paranoia starts to interfere with her
ability to navigate reality and perception. She experiences a
mental lapse in a restaurant, and then after fleeing from men
that chase her out of an abandoned mall where Ramey goes to
exercise, Ramey is in a terrible car accident that sends her
into a three-day coma. When she wakes up, Ramey has a new and
profound relationship with religion. This leads her to seek out
Kate’s maternity home, Sacred Heart House.
At the Sacred Heart House, Ramey meets a surly young
pregnant girl named Tilly. Ramey then learns that the maternity
house also serves to help raise local orphans in their on-site
children’s center. The Sacred Heart House provides fulfillment
and happiness in ways that Ramey’s home and marriage can no
longer do. She also creates a bond with Tilly. Later, Kate asks
Ramey to join them in their protest of a local abortion clinic.
When Ramey believes that Tilly has had a late term abortion,
Ramey begins to plot the murder of the clinic’s CEO. Her
paranoia and inability to gauge reality from fantasy brings
Ramey to carry out her plot. After the murder, Gus leaves
Wichita and Kate turns her back on Ramey. The only solace Ramey
has is the belief that she carried out God’s will. | eng |
dc.description.tableofcontents | Abstract -- Critical introduction -- Wichita Barren | en |
dc.format.extent | xiv, 90 pages | en |
dc.identifier.uri | https://hdl.handle.net/10355/48342 | |
dc.subject.lcsh | Motion picture plays | en |
dc.subject.other | Thesis -- University of Missouri--Kansas City -- English | en |
dc.title | Wichita Barren | eng |
dc.type | Thesis | eng |
thesis.degree.discipline | Creative Writing and Media Arts (UMKC) | en |
thesis.degree.grantor | University of Missouri--Kansas City | en |
thesis.degree.level | Masters | en |
thesis.degree.name | M.F.A. | en |